Mulholland Drive

2001

Action / Drama / Mystery / Thriller

262
Rotten Tomatoes Critics - Certified Fresh 84% · 264 reviews
Rotten Tomatoes Audience - Upright 87% · 100K ratings
IMDb Rating 7.9/10 10 415912 415.9K

amnesia loss of sense of reality schizophrenia nightmare hitman suppressed past

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Plot summary

Blonde Betty Elms has only just arrived in Hollywood to become a movie star when she meets an enigmatic brunette with amnesia. Meanwhile, as the two set off to solve the second woman's identity, filmmaker Adam Kesher runs into ominous trouble while casting his latest project.

Director

David Lynch Photo
David Lynch

Top cast

Chad Everett Photo
Chad Everett as Jimmy Katz
Billy Ray Cyrus Photo
Billy Ray Cyrus as Gene
Naomi Watts Photo
Naomi Watts as Betty / Diane Selwyn
Mark Pellegrino Photo
Mark Pellegrino as Joe
720p.BLU 1080p.BLU 2160p.BLU.x265
1.32 GB
1280*682
English 2.0
NR
Subtitles us  
23.976 fps
2 hr 26 min
Seeds 71
2.7 GB
1920*1024
English 5.1
NR
Subtitles us  
23.976 fps
2 hr 26 min
Seeds 100+
6.6 GB
3840*2064
English 5.1
NR
Subtitles us  
23.976 fps
2 hr 27 min
Seeds 100+

Movie Reviews

Reviewed by hectorlimon 9 / 10

A Mind-Bending Cinematic Journey

Reviewed by jjolla888 7 / 10

If you rewatch the last 20 mins, it becomes perfectly clear

Reviewed by greatandimproving 9 / 10

Fantastic

The late great David Lynch's Mulholland Drive starts with a car crash on- wait for it- Mulholland Drive. With picturesque views of LA at night, the sole survivor Rita (Laura Harring) trundles down the valley into the city. Police soon learn that a witness might have fled from the crash and a search begins. It's not the search that's important, per se, but more the fact that it's happening at all. It's a plot device to set mood; the mood itself is the goal.Next, Naomi Watts' character Betty arrives at LA International Airport on the arm of an older couple whom she'd met on the flight. She mutters no words beyond, "Oh, I can't believe it" as she's welcomed by the "Welcome to Los Angeles!" banner at the foot of the escalator. We don't know much about where she's headed or why- but we totally do: starlet lands in Hollywood in search of fame and fortune. Lynch appreciates how there's scarce need for dialogue. This story's been told enough times that we can fill in the holes ourselves. He lets the movie breathe.Rita and Betty eventually cross paths and the narrative takes shape from there, alongside a passel of other characters and storylines. Everyone's either being chased/watched, feels like they are, or is just generally discomfited by their predicament. There's an active force in the background that we can't see despite our eyes being glued to the screen. It takes some time before we make sense of the many abstractions. True to form, Lynch moves artfully between what's real, what's vivid dream, and what's pure fantasy- it's Hollywood, remember- but we remain confident in the story based on clues provided by a director who's long earned our trust as moviegoers.Opulent orchestral music (City of Prague Philharmonic) animates the monster of the city. The gently pulsating score gives texture to the mood, depth to the drama, and ultimately heart to the film. Periodic shots of the Hollywood sign serve as a visual reminder of where we are. Bird's eye views of the heliports downtown reinforce the same. Only later do we realize the story has not much to do with LA- yet it does. It's a movie about making movies, after all. If Quentin Tarantino's Once Upon a Time... in Hollywood was a love letter to Los Angeles in general, Lynch's Mulholland Drive is a hostile rebuke of Hollywood in particular (which might be a good way to approach this ambitious film if you're seeing it for the first time).On balance, Mulholland Drive means different things to different people- maybe even different things to the same people! We come to Hollywood to realize our dreams, and its winding road leads some to success and others over the edge. It may lead to a crash from which we can escape- literally or figuratively- but our ultimate fate is decided by strangers, some of whom lie in our own heads. We may start by looking outwardly for answers but by the end we're transfixed on what's happening within. So while Mulholland Drive does exist on a map, it's the Mulholland Drive in our minds that may dictate actual outcomes. As one character declares to another halfway through the film, "Man's attitude will determine to a large extent how his life will be."Well if that's true, Lynch must have had a wonderful attitude because he led an exemplary life, and this film was surely among the peaks of his career. Essential viewing.---"In work and in life, we're all supposed to get along. We're supposed to have fun, like puppy dogs with our tails wagging. It's supposed to be great living; it's supposed to be fantastic." - David Lynch.
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