Murphy's War
1971
Drama / War

Murphy's War
1971
Drama / War
Plot summary
Murphy is the sole survivor of his crew, that has been massacred by a German U-Boat in the closing days of World War II. He is rescued, and ends up at a forgotten mission station near the mouth of the Orinoco, and begins to plot his vengeance. He wishes to sink the U-Boat by means of any method imaginable to him, and sets about to make the courageous attempt, assisted by Louis, the administrator of the local oil company.
Director
Top cast
Tech specs
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Peter O'Toole's top-notch acting as a brave seaman obsessed with getting vengeance on a German U-boat
Nobody wins.
Originally to be directed by Burt Kennedy and starring Frank Sinatra, both of whom opted for 'Dirty Dingus Magee'(!) this loose adaptation of Max Catto's novel has been inherited by Peter Yates and features Peter O'Toole, his wife at the time Sian Phillips, highly respected French actor Philippe Noiret and a strangely cast Horst Janson.
By all accounts this proved to be a difficult shoot not least because of disagreements between the director and producer Michael Deeley which resulted in the break up of their professional partnership and one cannot but feel that the finished product is a far cry from screenwriter Stirling Silliphant's original concept. As an actress whose sporadic film appearances have never done justice to her talent, Miss Phillips does her best with an undeveloped, underwritten role whilst Janson's submarine commander who offers a wounded British officer a cigarette prior to murdering him in his hospital bed does not entirely ring true.
This is essentially a vehicle for charismatic Mr. O'Toole who has a particular talent for portraying madness in its various forms. Here his character resembles a maniacal Oirish version of Bogart's Charlie Allnut in 'The African Queen'. Murphy's gung-ho, obsessive desire for vengeance despite knowing that Germany has surrended ultimately renders his character unsympathetic but this may very well have been the makers' intention.
Beautifully shot in Venezuela by veteran Douglas Slocombe, the aerial sequences are stunning whilst many scenes prove more effective without a score. All-in-all a pretty good adventure yarn which for this viewer at any rate could have been so much more.
The ending, which differs considerably fom Catto's novel, calls to mind Gandhi's 'An eye for an eye leaves the whole world blind'.