In this remake of the 1942 film of the same name, Bob Hope is Peanuts White, a hack Vaudevillian looks just like the thug Eric Augustine, who is wanted by the police. They ask White to help them by impersonating the crook to fool a gang of spies into turning over the microfilm. The nightclub scene is kind of fun, as he tries to pass for the crook with Lily (Hedy Lamarr) and Augustine's friends and enemies. Arnold Moss is Tasso, a non-singing Bing Crosby- type straight-gag-guy who doesn't take any jabs at Hope. Tasso one of the good guys, trying to keep White out of trouble in Tangiers. Not a lot for Lily (Hedy ) to do in this film...she's kind of along for the ride. Lamarr only made a few more films after this. It would have been interesting to have the actual locations listed; appears to be mostly the backlot and PCH. Like most of the "Road" movies, this one goes all over the map, in the casino, riding on a firetruck, thru the bazaar. Not the funniest Bob Hope movie caper, although it DOES have its laughs. Not bad.

Bob Hope plays a dual role in this comedy spy flick, one as his usual character throwing out humorous one liners, and the other as an international spy who Peanuts White (Hope) is asked to imitate in order to secure a valuable piece of film for the government. Hope actually looked a bit scary as the villain Eric Augustine, and it made me wonder if he could have pulled off a dramatic role in a non comedy vehicle.

This was my first glimpse of Hedy Lamarr, and I wasn't too impressed with her looks when she first appeared on screen. But then, it seemed like she got better looking as the movie progressed. By the time of the film's finale and that wild hook and ladder ride, the zaniness of the scene seemed to bring out a naturalness to her personality that seemed suppressed in the early going. Actually, that scene had elements of Abbott and Costello and the Keystone Kops going for it, and was a lot more physical than any other Hope characterization I've seen.

As usual, some of Hope's best zingers are of the self deprecatory kind; when one of the detectives removes his clown rubber nose in the early going, Hope's character replies - "Hey, that's not all putty"! You have to be quick when he does the gag about Bing Crosby, never mentioning him by name, but remarking how a skull he's looking at resembles a 'singer I know'. Modern audiences and non-Hope fans would never give it a second thought, but it's one of the fun things about watching these era films when you're old enough to be in on the joke.

Hey, I know it's just for laughs, but there was a goof in that scene when the phone started ringing inside the suitcase. When Peanuts/Hope finally gets it out, the receiver is off the hook!

"My Favorite Spy" seems to get mixed reviews, and though I enjoyed it myself, I thought about it being re-done as "Road to Tangier" with Crosby and Lamour along for the ride. Say, did you catch it when Peanuts White's real name was revealed? - it was Cecil Longwood.

While I enjoyed a few of Bob Hope's films, I must say up front that I am not especially a fan of his work. And, I think that others who are not huge fans of his work will probably not be particularly impressed by this rather limp comedy. That's because, for a comedy, this film has a remarkably small amount of humor. Apart from a slightly amusing situation, most of the "laughs" are the result of Hope's mugging and one-liners. For me, they frankly weren't funny at all. My opinion, and I know this might make me sound harsh, is that for years, Bob Hope cashed in on his early successes and then just kind of walked through many roles playing himself. And, this film isn't particularly different from a long string of very similar films from the 40s and 50s. While his die-hard fans will no doubt enjoy this, others will probably be pretty bored.

The film is a story about Hope and a look-alike who is a master spy. The spy is captured and Hope is to take his place and secure some secret film. Along the way, he meets Hedy Lamarr--who just seems a bit out of her element. She is not a natural comedienne, but this film doesn't even allow her to try--forcing her to play a dramatic role most of the film. And, in the final chase scene, it looks like a limp imitation of a Keystone comedy. As a result, you're left with a slightly less than average time-passer and nothing more. While technically sound, I was frankly amazed how uninvolving this film was. There was just so little energy and few laughs.