On one particular night in New York City, an elusive band by the name of Where's Fluffy? have announced a secret concert. The word spreads through the city's underground punk scene faster than it can go out of style and before long, it reaches Nick and Norah. Nick and Norah don't know each other when this news reaches their ears but before the end of the night, they will each find something infinitely more important than Fluffy. NICK AND NORAH'S INFINITE PLAYLIST is a contemporary romantic comedy that sets itself in an entirely unconventional place and time (can you think of another way to describe a straight romance in the queer punk underground?), but presents itself in a sometimes far too conventional fashion. While it can at times be too cool for school, it is the roughness around its edges that give it an unexpected and genuine warmth. Like any finely balanced playlist, it works its way into your head and your soul.

Nick (Michael Cera) has been down as of late. It seems his fragile heart has been trampled by Tris (Alexis Dziena), a girl so clearly wrong for him but whose physical beauty is apparently capable of diverting people from noticing her lack of a soul. Norah (Kat Dennings) has some trust issues as she naturally assumes that any man interested in her is likely more interested in her connections (her dad is an enormously successful record executive). As a result, both Nick and Norah have withdrawn – not externally as they both still function amongst the other humans but they do so at arm's length. Like sleeping beauties though, they are both awoken from their waking comas by a shared impromptu kiss. Suddenly, worlds they never knew existed have become possibilities and an ordinary evening becomes an adventure. While the twists the evening takes are at times unrealistic, they do give the night and the film a sense of spontaneity that makes the viewer believe that anything can happen.

Peter Sollett is a delicate director. His first feature, RAISING VISTOR VARGAS, in which a group of Hispanic youths in New York's lower east side figure out how to stop playing and how to be themselves instead, was a singular revelation. He created a strong sense of hesitation in face of the unknown and a desire to be something more. He has an ease with creating simple, real spaces that foster intimacy and humble his characters and Nick and Norah are no exception to his treatment. Outside of these two though, the remaining ensemble are little more than comic relief and functional plot progression pieces. They can come across as occasionally transparent and one-dimensional but thankfully never enough to distract from the delightful romance budding at the center of all the chaos. Cera proves his versatility once again by showing that there are hundreds of facets to being an awkward teenager, that awkwardness does not define you but is rather just how who you are can come across. Dennings is his perfect counterpoint; she is sharp and strong, a worthy adversary, but frightened underneath it all, an ideal match. The two are so strongly suited that they transform the sometimes too facile script into something much more mature and meaningful.

NICK AND NORAH'S INFINITE PLAYLIST made me want to fall in love. It also made me laugh and swoon, delight in the magic of music and believe in the transformative properties of one crazy night. It made me long to be in New York City. It made me wish that I was that young again and that believing in possibilities was that easy to do. It may not be perfect but it is almost better that way, more real. There is something so genuine at the heart of this film that makes it almost impossible not to want for Nick and Norah to realize their potential – a potential that is just as infinite as the playlist they are about to create together.

This is a film that made my day, put a smile on my face, and made me believe in films again. One goes to the movies to be entertained, to see something that doesn't happen everyday, and Hollywood, as of lately, seems to be think there are only two types of good movies: The ones that make a ton of money, or the ones with a "serious" message that end up winning all the awards. Apparently, the other ones aren't good enough, and boy, are they neglecting most of the good stuff.

For starters, this is a joy to watch. It has the same tone of "The Breakfast Club" a whimsical and true recollection of what it is like to be a young person, searching for companionship and understanding, and still not bound by society's adult demands. When the characters interact in the film, there is much fun to be had, even when the practical options are well, more logical. Kids go out, meet, enjoy a good concert, have too much to drink and have consequences to deal with, but it's all lighthearted, and everyone knows it's some sort of imaginary fantasy.

After all, people don't fall in love in seconds, and you don't get to have all your dreams come true overnight, but where else are you going to have a piece of chewing gum with that kind of history? Then there is the chemistry between the two leads, something that is rare in movies nowadays, one that offers you an insight into the working brain of two young people with much more than sex and special effects in the script.

People will talk about this film for a while because it is enjoyable, fresh, and something worth discussing. It has a couple of shocking moments, but they are funny moments, silly stops on the trip that Nick and Nora allows us to become a part of. As they said in '39 "follow the y..." wait a minute, wrong movie, but same ton of fun.

I had a small feeling about Nick and Norah's Infinite Playlist that it was going to be a decent hit, with the popularity of Juno, not to compare, but this movie had similarities. This movie has my main pet peeve with the younger generation of today, the people who are the "I heard this band before you did so I have better taste than you do" type of mentality. The independent rock music movies are just not my thing, so I wasn't too excited to see this movie, but when some friends invited me to go see it with them, I had low expectations and actually ended up having a great time watching Nick and Norah's Infinite Playlist. It's honestly one of the better comedies that is out in theaters right now, although I have to admit I feel so dirty watching all these horny teenage girls, I'm a girl, and it just made me feel uncomfortable, this is how teenagers act? Scary; anyways, the story is really fun and gives you a great time laughing.

Nick is having a hard time after his rough break up with super slutty Tris, he continues to mix CD's for her that her fellow student, Norah listens too and enjoys it. By chance Norah meets Nick not knowing that it's Tris's ex and says that he's her boyfriend to show Tris that she's no prude. But when Norah learns that Nick is the ex, Nick also won't shut up about Tris, but they find out throughout the night that maybe they're musical soul mates and can really dig each other's vibe. But in the mean time with their crazy friends, they try to find their favorite band that is hidden in New York.

Nick and Norah's Infinite Playlist is definitely worth the look, I would say that it's worth full price. The only thing I have a problem with is our leading man, Michael Cera, this guy is a nice actor, but he hasn't really expanded himself into different roles, he's been playing the same character since Superbad to be honest. But I'm seeing Kat Dennings more and more, I'm enjoying her presence on screen, she's very lovely and has potential. But the person who definitely stole the show was Norah's drunk friend, Caroline played by Ari Graynor, she was just beyond hilarious and stole all the laughs. Nick and Norah's Infinite Playlist is a great new teen comedy, though I really hope teenagers don't act like this... if they do... oh, I'm praying that our future is going to be alright.

7/10