Here's the film in a nutshell: If you saw the first one, skip it. If you haven't, then you might enjoy it a little bit.

The movie is basically a carbon copy of the original Reeker, except with new characters thrown in and a little bit of background on the Reeker character so that they could create a new film. I normally have no problem enjoying films that aren't completely original, but No Man's Land: The Rise of Reeker adds very little to what the first film brought to the table.

You will find yourself EXTREMELY bored as there are no characters to root for and you'll just want them all to die anyway. Even though some people might believe otherwise, this film DOES rely heavily on its final twist. And if you've seen Reeker, surprise! It's the same thing all over again. That is what makes the film so dull. You know what is going to happen at the end of your 88 minutes that you're going to waste.

The movie does try to shed some light on the Reeker's origin's, but that aspect of the film turns out to be a tiny portion of the film's running time. If tacking on the same old ending isn't insulting enough, the final scene of the film (after all is said and done) will make you cringe with just how awfully cliché it is.

If you've seen Reeker, avoid this one by all costs. It's a lazy attempt for the studio to capitalize on a decent first film. And if you haven't seen the original you might enjoy this one, but I'd definitely recommend checking out the previous installment before seeing this cough*remake*cough.

I have fond memories of watching the original "Reeker" back in 2005. It was at the Belgian Festival of Fantastic Films and practically the entire theater went wild with enjoyment. Surely the premise was derivative and the wholesome was overall forgettable, but at least it was a totally unpretentious new horror film with neat gore effects, fresh acting performances and a really cool killer character (a smelly grim reaper like serial killer). Nothing more, nothing less. The release of sequel within a couple of years was inevitable, but let it be understood that it wasn't unwelcome at all. In a fair period of three years, writer/director Dave Payne came up with a follow-up that is at least equally entertaining, exciting and fast-paced as the first. Obviously the surprise element has vanished – although even the original wasn't *that* surprising – but Payne inventively compensates this through adding a background to the killer, even more black humor and barbaric gross-out effects. The main difference with "Reeker" is that the characters become conscious of the situation they're in relatively quick and actually attempt to make it out of there. Whether some of them succeed or not is what keeps the film reasonably suspenseful. "No Man's Land" opens bizarrely, in the year 1978, with the arrest and execution of a serial killer known as the Death Valley Drifter. He doesn't even bother to resist because the voices in his sick head keep telling him that his work on earth is done and a much bigger errand awaits him. Jumping forward to present time in the same desert, where a retiring Sheriff and his estranged deputy son literally bump into a couple of fugitive casino robbers. Subsequent to some gunfire and a car explosion, the posse find themselves isolated and abandoned in the desert, with a heavily stinking and vigorous "shape" chasing them. In this type of films, when you already know from beforehand what the major twist will be, it's still a lot of fun to pay close attention and fit all pieces of the puzzle together yourself. The script of "Rise of the Reeker" leaves plentiful of clues for alert viewers, but offers even more exhilaration and bloodshed for undemanding horror fanatics. Good performances, particularly from Michael Robert Brandon and the beautiful Valerie Cruz, surefooted direction and a marvelously depressing setting as well. Overall a much recommended film to fans of the genre.

This film first appeared to be a straightforward cops and robbers movie. Three guys rob a casino and manage to land at the same gas station/cafe as a father (Robert Pine) and son (Michael Muhney), one a retiring sheriff, and the other the new man in town, were eating.

Then things got weird, as one man gets his head practically torn of, but was still able to walk and talk, another man, who was burning a car, is also walking around, and, I kid you not, some legs without a body were running. Are we in the Twilight Zone or something?

But, just when things couldn't get any stranger, we come to the ending where there appears to be a logical explanation to everything we saw. So what were we watching for the last hour? A soul-catcher reborn or someones imagination run amok. It was an interesting film with just the right amount of gore, a lot of laughs, and enough to keep you interested. Well, not totally. Mircea Monroe and Valerie Cruz were nice eye candy, but they could have made it more interesting.