Norman Lear can honestly claim to have made the U.S. a better place, both apart from and through his work as a TV producer and writer. Directors Grady and Ewing have put together a creditable biographical documentary that serves as a solid introduction to the man, an overview of his work, and the influence he's had on U.S. culture.

Though there are excerpts from some of his most famous shows -- from "All in the Family" through "Maude," "Good Times," "The Jeffersons," and "Fernwood 2 Night" (though no mention of "Sanford and Son," curiously) -- as well as recent comments and archival interview footage from some of the actors (a clip of Carroll O'Connor on a talk show correcting a description of his character as a "lovable bigot" by focusing on the essential unhappiness of the man is especially memorable), the emphasis is on Lear's life as a man and as an entertainment professional.

We learn about the effects of his father's conviction and imprisonment for selling fake bonds when Norman was 9, the Second World War (in which Lear served as a radio operator on a B-17 bomber), the influence of his second wife Frances in pushing for women's rights, how his overwork and the collapse of that marriage led to Lear stepping away from TV production and founding the nonprofit People for the American Way to battle the so-called Moral Majority. There's a third marriage, more children, some home video footage of the family in recent decades.

The filmmakers expend a fair amount of footage on a sound stage, showing a (presumably) 9-year-old version of Lear being affected by Father Coughlan's racist radio speeches and other events in the real man's life. (An earlier IMDb reviewer has referred to Lear purchasing a copy of the Constitution, but it was the Declaration of Independence.) Archival footage of Jerry Falwell and other televangelists of that era will make one both grateful they're gone and apprehensive about recent counterparts. Just being alive, kicking, and alert as Lear is at 93 is cause for celebration.

Whether you were a fan of his shows or not, this documentary will certainly arouse memories of the times, and the undeniable effect that Lear's work had upon them.

This film can be - and has been - criticized for being too much of a puff piece, too much "old news," and not sufficiently insightful into the meaning of Norman Lear's life. But for those who know him and his work - both artistic and political - well enough but not intimately, this is a great overview of Lear and his accomplishments.

Still fully intact both physically and mentally at 93, Lear has much to offer through his own interviews, and ANY movie that simply catalogs his career would be worth seeing. From early Martin-Lewis writer through All in the Family and Maude through his Good Times misstep to his "retirement" from TV and creation of People for the American Way, Lear's career was unparalleled. As Jon Stewart and others put it in the film, there was TV Before Norman and After Norman.

But this documentary does more. The skill of the filmmakers is obvious, and they leave their imprint - and Lear's famous and unusual hat - throughout this enjoyable film. While it's respectful and loving, it's not worshipful. There's focus on his absence as a father and husband, his difficult relationship with his own father, and the Good Times cast's serious concerns about racial stereotyping. The directors chose excellent clips from the most important shows, including the Maude abortion episodes and some truly extraordinary acting from Carol O'Connor as Archie Bunker. One Archie scene, Archie talking to "Meathead" about his own father, is particularly poignant, as we watch Lear watching Archie.

A worthwhile hour and a half with an American icon, still going strong.