Belying its' title, 'Nothing Personal' is clearly a very personal film. Set on the west coast of Ireland, this two-hander explores the decision to leave virtually everything behind and offers a study of loneliness and reconnection through a gradual re-building of trust. With strong performances from both leads, I was increasingly absorbed as their characters unfolded, and the film is at its' best in the gentle humour and the slowly developing relationship between them; there are some lovely touches and moments, like stopping the wind blowing through the grass.

Unfortunately this undoubted emotional engagement seems to have come at the expense of narrative coherence. Whilst I don't expect everything handed to me on a plate, it felt quite an uphill struggle trying to follow the Director's clues about what was actually happening. I couldn't quite work out if the chronology was chopped up or not, and I felt the main device of leaving history unspoken between the pair was unnecessarily allowed to overwhelm plot lucidity at times, leaving me with too many unanswered questions for it to be a consistently rewarding experience; I look forward to reading the future IMDb message board musings of more perceptive viewers. I suspect the film will be compared to Ondine – similar location and 'strong, mysterious, beautiful foreigner' theme –and whilst undoubtedly more cerebral and emotionally resonant, it's a shame that its' increasing tendency to veer into a somewhat perplexing swamp rather lets it down.

If you have a penchant for 'hands swirling round in seaweed' close-ups, then this is certainly the film for you – otherwise, despite its' spirit and intrigue, the level of confusion means that for me, it won't stay in the memory for too long.

Lotte Verbeek and Stephen Rea, two highly accomplished actors, take on this thoughtful two- hander from Polish-Dutch débutant Urszula Antoniak about loneliness and the difficulty of human connection.

Verbeek plays an unnamed Dutch woman who finds herself in Ireland after the end of her marriage and, having opted for an itinerant life free from life's trappings, ends up working on the isolated estate of recent widower Martin (Rea). They strike up an agreement: she will work for food on condition that neither exchanges any personal information about the other.

The deal works for a while, but inevitably resistances crumble and the pair form a strong and, for the audience, steadily intriguing bond. Their personal as well as cultural differences clash and then mesh, leading to a co-dependency allegorical to most 'normal' relationships.

Antoniak clearly has a good eye, and her performers give their all, but as the film's central premise – a Dutch girl wandering into the Galway countryside – is never explained (beyond the financial needs of a Dutch-Irish co-production), the result is perplexing rather than engaging. While Antoniak's restraint is admirable, from a dramaturgical perspective we are left to scratch our heads while indulging in shots of beautiful countryside.

The result is impressive but curiously forgettable, and feels like the idea for a short stretched out into a feature-length film (albeit one that cleaned up at the Locarno Film Festival). We are certainly pulled into the head of the main character, but as her puzzlement and anomie for the world increases so does ours for the film, so any chance of redemption (or explanation) is not just missing, it's redundant.

Antoniak is one to watch, but whether one could say the same for the film is not so much a question of quality but one of taste.

This film directed by Urszula Antoniak is what I would call non-gimmicky non-formulaic independent film. It's basically a two person film with terrific laid back performances from Stephen Rea, a wonderful Irish actor, and Lotte Verbeek, a Dutch actress.

Verbeek is mysterious drifter who comes upon Rea's isolated home on the Irish coast. At first, she is hostile to any interactions with him. However, over time in slow and subtle ways they begin to bond. It all leads to what I thought was a touching and appropriate ending.

I found this to be a surprisingly quiet wonderful film. For those with no patience probably not the film for you.