Danish student Ingrid (Ornella Muti) and her English boyfriend Dick (Ray Lovelock) decide to sell pornography illegally in Italy, and at the beginning, they make a lot of money and spend a great holiday time there. Then they are arrested by the police, and their rebellious attitude (especially if you remember, this was 1970) doesn't help much. They end up on the street without a Lira in their pockets, and when a rich lady (Irene Papas) offers help, it seems a stroke of luck and they are not suspicious at all...

La bella Ornella in one of her earliest movies is very playful and looks best in a kind of Indian temple dancer costume here. All in all, "Un posto ideale per uccidere" is not a particularly dark or violent film, but with enough suspense. The rapid cut by Eugenio Alabiso - who also had his hands on genre classics like "Tutti i colori del buio" and "Lo strano vizio della Signora Wardh" - helps to speed it up a bit. Note: My Italian DVD is said to be transferred from the original negative with a running time of 83:49 min.

I watched this for the first time on DVD last night, at 84:34 minutes it is apparently the longest available version. The picture quality was pretty weak at times and occasionally the language switched from English to Italian but hey, this is all part of the joys of being a fan of Euro sex, sleaze, thriller and horror movies. Directed by Umberto Lenzi, the man who started the notorious cycle of gory Italian cannibal movies, Oasis of Fear is a much different genre, it does contain one or two suspenseful moments (the one in the bird aviary is good) but I would not call this a proper Giallo movie. More of a sexy and fun thriller. Ray Lovelock and his gorgeous girlfriend Ornella Muti play a very young couple (I make her a mere 16 when she filmed this) travelling across Italy, selling pornographic photos of themselves but when their delightful little British MG sports car runs out of fuel they seek refuge at a large villa, owned by the strange Irene Papas. This is where things start to get interesting. The movie is sexy, groovy, fun and at times suspenseful, I wouldn't call it a classic by any means but for anybody who enjoys Euro movies from this period then it is worth seeing. The sex and nudity aspect is quite tame. Watch out for the crazy guy on a motorbike who speaks an curious and amusing mix of English and Italian!

Umberto Lenzi, undoubtedly one of Italy's most diverse directors, directed a handful of Giallo's in his career, which ranged in quality from absolutely superb (Seven Blood-Stained Orchids) to rather silly (Eyeball), but Oasis of Fear was made while Lenzi still had a lot of respect for the genre, and as such it stands tall as one of his very best films. The first thing that struck me about the film was the happy pop soundtrack, and this ends up offsetting the nihilistic tone of the film beautifully once the first big twist hits. The film starts out by introducing us to two amiable British hippies, who travel to a foreign country to buy pornography. After spending all their money, the pair decides to begin making their own pornography, and it's not long before they find themselves on the run from the local coppers. After breaking down outside a lavish manor house, they decide to enter and steal some petrol. However, the lady of the house catches them and after initially wanting them to leave, she changes her mind and invites the pair in for a little three-way party...

This film doesn't adhere to the usual Giallo rules and traditions, and at first it's difficult to see where it's going. Lenzi does a good job with creating his characters, however, and although the first half of the movie is all about setting up the second half, it's interesting thanks to the handling and decent performances from all concerned. When the twist in the tale comes about, it's amazingly shocking because it appears to come out of nowhere, although Lenzi does a good job of ensuring that it doesn't feel superfluous to the plot, and the change of direction certainly suits the film. Oasis of Fear benefits from a good cast, which includes prolific Italian cult film star Ray Lovelock and future Italian beauty Ornella Muti. The pair interacts well, and provide good impressions of their characters; even though they're clearly not British. The real standout, however, is Irene Papas who is handed the meatiest role in the film (the one usually given to Carol Baker), and gets to have fun with a character who is anything but what she seems. The standout sequence of the film takes place in an aviary full of owls, and the nihilistic conclusion manages to be sad despite the lightweight nature of the movie, and overall; this is a Giallo definitely worth tracking down.