Original Sin, a movie with scandal, surprises, and a whole lotta love (I mean the physical kind) has Antonio Banderas as a wealthy Mexican coffee maker owner who orders a mail order bride (weird to have this in 1900) played by Angelina Jolie. They get married, seem to start falling in love, but then the film turns into a twisting film. These twists give some great scenes of power for Banderas and Jolie to work off of, plus a excellent amount of sex and nudity from Jolie and a good feeling for the movie throughout. Unfortunately, the film has some flaws including an overused music score, overacting, scenes that make the film confusing, and an ending that had me a little dissapointed, then really dissapointed. Still , it's OK. Thomas Jane has some wicked fun playing a, uh, detective. B

Original Sin is a thriller movie directed by Michael Cristofer and stars Antonio Banderas, Angelina Jolie and Thomas Jane.

Two great actors Antonio Banderas and Angelina Jolie, with an impressive plot you'd expect much more but somewhat failed to execute.

Acting by both the leads were decent but the chemistry were clearly missing from both the leads, although Thomas Jane was surprisingly good. Plot could've made more intelligently and the movie start with a loophole. for instance when Luis played by Antonio had introduced himself as poor clerk how did Julia played by Angelina got to know that he is a rich man. Screenplay is unevenly paced and weakens in middle but still manages to hold the audience, climax is good and Cinematography is decent and could've been better.

I have read mix to negative reviews of the movie and in my opinion the movie had the potential to become a great thriller movie but somewhat had missed the mark.

A wealthy, handsome businessman in 1880s Havana advertises in the States for a marriageable woman to sail to his country, become his bride, and bear his children; however, the sultry, lusty young thing who arrives from Delaware curiously bears no resemblance to the photograph she has sent (she's even hotter!), and soon a private detective is snooping about asking questions. Cornell Woolrich's novel "Waltz Into Darkness" would seem an ideal murder-mystery/sexual thriller to absorb a modern-day audience (as a storyteller, Woolrich was far ahead of his time), but writer-director Michael Cristofer doesn't have the teasing personality, nor the sure-handed style, to bring out the juicy twists of this tale. Leads Antonio Banderas and Angelina Jolie look good together in and out of their clothes, but his forceful, full-blooded acting eclipses hers by a mile. Jolie is not convincing in this period setting; she has little range and, once the camera begins feasting upon her features in Mount Rushmore-like close-ups, her focus visibly wavers (it's a dreadful performance). Told in flashback, we are immediately privy to Jolie's mysteries, with an outcome that defies explanation. Cristofer intermittently tries out different photographic tricks and editing techniques, presumably to pad the running time but in effect showing off his uncertainty as a filmmaker. The dialogue (and Jolie's indifferent delivery of it) is often ludicrously funny, though Banderas deserves credit for at least attempting to take his part of the project seriously. *1/2 from ****