This film begins with an extremely rich and ruthless businessman by the name of "William Orbison" (Raymond Burr) hiring an unidentified assassin to kill someone. The specific name of the target isn't given and the scene then shifts to a private detective named "P. J. Detweiler" (George Peppard) engaging in an unethical business enterprise in order to pay off some serious debts that he owes. One thing leads to another and soon P.J. is hired to be a bodyguard for an attractive prostitute by the name of "Maureen Preble" (Gayle Hunnicutt) who has become convinced that somebody is out to kill her. It is only later revealed that Maureen has only one client and that man just happens to be William Orbison and it's this relationship that imperils Maureen's life-at least, that is what P.J. is led to believe. Now rather than reveal any more I will just say that this was a nice little mystery film for the most part with some decent acting and several twists and turns along the way. One particular flaw, however, is the film goes to great strides to appear sexy and sophisticated but there are no scenes of an amorous nature to be found anywhere. That said, from what I understand there were several scenes deemed too explicit at the time of production which were subsequently edited out to satisfy certain film standards in effect back then. Not only does that explanation makes sense but it also sheds some light on why some parts of the film ended somewhat abruptly and seemed rather bland and incomplete. In any case, even without these scenes the movie itself was still enjoyable enough for the most part and I have rated it accordingly. Slightly above average.

George Peppard is very amiable as the title character, a down-on-his-luck private detective who'll take just about any paying gig. He is hired by a supremely arrogant fat cat, William Orbison (Raymond Burr), to act as bodyguard for his not-exactly-secret girlfriend Maureen Preble (Gayle Hunnicutt). This, despite the fact that Orbison is already married to a fairly pathetic woman named Betty (Coleen Gray). Eventually, after he has accidentally killed a man, P.J. is smart enough to realize that he's been set-up from the start. But for what purpose?

The script by Philip H. Reisman Jr., based on a story by him and Edward Montagne, manages to stand out a little for being rather humorous and sometimes witty. Also, director John Guillermin does a pretty stylish job, giving some life to the entertaining story. The story is not necessarily a great one, but it does entertain, and even adds up at the end; one of its best assets is that eventually you do learn something interesting about one of the side characters that has actually motivated the whole con job. Wonderful location shooting in a Caribbean locale helps, too, and the jaunty pop score by Neal Hefti is a true delight.

Peppard is all too human here (he takes some lumps here and there), and is a believable, compelling main character to watch. He has genuine chemistry with the enticingly sexy Hunnicutt, whom the camera clearly loves. Burr is superb at playing the kind of heel the viewer will love to hate. The supporting cast is superb and full of familiar faces: Wilfrid Hyde-White (as a governor), Brock Peters (as a cheerful police inspector), Jason Evers (as Orbison's employee), and Susan Saint James (as Orbison's opinionated niece), as well as Severn Darden, George Furth, Herb Edelman, John Qualen, Bert Freed, and Ken Lynch. Anthony James appears unbilled as a bartender.

Overall, this is a pretty good example of the private eye genre at a time when it was being revitalized, thanks to efforts like Paul Newman's "Harper". It contains effective amounts of sex appeal and violence, as well as elements that would be unlikely to fly in the present culture.

Seven out of 10.

My memories of the gritty but not totally successful private eye drama "P. J." are rather hazy and incomplete. As several other writers have mentioned, the movie was heavily edited for television after the movie's original release. Even as an impressionable kid, I wondered why P. J. (George Peppard) was badly beaten up without knowing who did it and what happened to the guy on the subway platform that threatened P. J.'s life? The two sequences, as well as several others edited scenes, made "P. J." on TV a rather bland and disjointed mess.

On a hunch, I was able to finally see an unedited, pan-and-scan version of "P. J." a few days ago. Regrettably, the movie was not as good as I remembered. This is despite good performances by Peppard and Raymond Burr, who probably relished the offer of playing a bad guy after many years as Perry Mason, as well as Gayle Hunnicutt as the femme fatale.

The musical score by Neil Hefti and the New York locations certainly set the mood. (Some of Hefti's interludes sounded a lot like his score from the movie "The Odd Couple". "P. J." was released a few months before "The Odd Couple".)

I don't consider "P. J." a classic because of some misguided creative decisions by the writers and director and production choices in which scenes that were obviously filmed on the Universal back lot took me out of the story on occasion.

However, I believe that movie studios are doing themselves a disservice to the public by not releasing this and other movies to the web or on DVD. There are horrible movies in the past few years that are on the web or released on DVD but a 1968 film that was not necessarily a classic and did not win any awards is shown illegally on a popular web page. To Universal, release the film on a widescreen format and let the public decide if the movie is worthy.

Update: The film was finally released on DVD and Blu-Ray by KL Studio Classics in October 2020.