Henri "Papiilon" Charrière's 1969 autobiography hits the screen once again, this time written by Aaron Guzikowski and directed by Michael Noer, and while the acting is fine - Charlie Hunnam as wrongfully accused victim of a murder charge Papillon and Rami Malik as the counterfeiter Louis Dega - the film is thuddingly long.

While much of the film is brutal and realistic while depicting attempted escapes and the aura of prison, the important message of the value of friendship between Papillon and Dega does ring clearly. Far too much of the film focuses on the solitary confinement Papillon 'earns' from his escape attempts - a 2 year sentence then another five year sentence - and the dank and dark silent atmospheres results in audience participation: watching these passages is akin to actually being in solitary confinement!

The previous 1973 version of the true story - with Steve McQueen and Dustin Hoffman - moved more rapidly and was far better paced. Hunnam and Malek (and an assorted ensemble cast) definitely create the mood of the book, but the direction and editing are sluggish. The resulting concern for the audience is simply hoping that the next escape attempt works - to end the film.