Paprika

1991 [ITALIAN]

Action / Drama

83
IMDb Rating 5.5/10 10 5719 5.7K

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Plot summary

Mimma starts working in Madame Colette’s brothel to help her boyfriend financially. There she is rechristened “Paprika,” and falls in love with her first client, naval officer Franco. Despite this attraction, she begins her climb through the sex trade, residing in Italy’s most illustrious brothels.

Director

Top cast

Debora Caprioglio as Paprika
Tinto Brass as Dott. Babarelli
John Steiner as Principe Ascanio
Walter Midolo as Cliente Casino Trieste
720p.BLU 1080p.BLU
1.04 GB
1204*720
Italian 2.0
NR
23.976 fps
1 hr 55 min
Seeds 39
1.93 GB
1792*1072
Italian 2.0
NR
23.976 fps
1 hr 55 min
Seeds 100+

Movie Reviews

Reviewed by markojmarko 7 / 10

This film knew more than it said (a nuanced critique)

Most people watch Paprika for the softcore erotica or Tinto Brass's signature visual flair, but there's more going on under the surface. If you listen closely, Mimma says she's from Pola/Pula, in Istria (Yugoslavia, now Croatia). That's not a throwaway detail. By the 1950s, that area was no longer part of Italy, and most Italians had already left. So Mimma might not even be ethnically Italian.Then she's given the nickname "Paprika." Not an Italian word. It's Slavic-coded, tied to a Central European / Hungarian dish. Together, these details frame her as not just a naïve girl from the countryside, but as someone even more foreign. Rural, backward, sexually uninhibited. It plays into racialized and exoticized stereotypes that are easy to miss unless you know the region's history.Mimma's transformation into Paprika isn't just about becoming a sex worker. It's about becoming the other. Visually and narratively. Whether Tinto Brass meant this as a critique or simply leaned into the trope is unclear. But the trope is there, and it's worth thinking about.That said, what's powerful about Paprika is that it doesn't just show off the morals of the 1950s. Watching it more than 30 years after it was made, you also see the 1990s all over it. The film critiques postwar sexual repression, but it does it through a 90s lens that often romanticized and objectified women from "the East." You can read it as a double mirror. One looking at how women's sexuality was policed, the other reflecting how "foreignness" was framed as either a threat or a fetish.
Reviewed by amanbgoode 7 / 10

Underrated Erotica director Tinto Brass delivers one of his best

Loosely based on John Cleland's 1748 classic novel Fanny Hill this Italian adaptation celebrates lead actress Debora Caprioglio at her peak. Set in the 50s, Debora.plays Mimma a lovestruck girl who takes up escorting to support her backstabbing fiance. Over time she learns the truth and begins her journey as a courtesan and companion.

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