The first film I have ever seen that is three different genre's of film in one. Three stories that only abstractly connect in theme are weaved together, one is mockumentary about a boy who shot his father and then flew out of the window, the other is a black and white Roger Cormanesque science fiction horror film about a mad scientist who distills the sex drive and becomes an infectious leperous monster, while the other is about an obsessive abusive sexual relationship between two prison inmantes. The latter plot almost got the film banned after the complaints of religious groups, because it shows an erect penis. If you likewise are afraid or made uncomfortable by explicit sexuality you will be ruffled by this. If not you may find this fascinating, challenging, and provacotive. A one of a kind film, about the awesome and divergent power of human sexuality.

This film is probably best viewed as part of a film class (and not necessarily one on Queer Cinema although Todd Haynes prefers gentlemen).

I prefer "Safe" and also "Far From Heaven" from this clearly talented director. His suave incorporation of 50's style sci-fi and 80's TV docudrama and a stagey prison play is more engaging here than the three intercut stories themselves.

The film starts with an actor going out a window, and ends with a similar scene. There is a moment in the sci-fi "Horror" substory where the lead mutters "And so it begins..." Temporally what would have followed is the scene that actually does start the film.

Despite a low budget, Haynes does employ a lot of clever camera tricks and cinematic tacks. He squeezes out some efficient acting from his mostly unknown cast. (Okay, that was John Leguizamo in for two scenes...)

If anything, I feel Haynes could have spent more money on lighting. The B&W sci-fi shots were often heavy on the B, and much of the prison footage was a darker shade of murky, at least on DVD at home.

But then one of the displayed Jean Genet quotes speaks of the necessary darkness for the seed of dream. The stories here may be genetically Genet, I am more familiar with who he was in person than in print. Again for a student of Genet, I think this would be a more satisfying expenditure of time, thought and money than it was for myself.

There's also a socio-political bent to the release and funding of this film. Rev. Donald Wildmon provided protest and thus inadvertent P.R. for "Poison." Meanwhile others cite an AIDS angle to the movie.

For me, I walked a way with a sense of sex linked with shame. A child catches his mother in infidelity, prison passion is stolen in the shadows, lasciviousness makes lepers of a community. Also while not the focus, each episode had some sex entwined with violence. Sex was portrayed as anything but erotic throughout.

Ultimately I could not make out whether Haynes was trying to decry society's reaction to sexual "deviancy" as more dangerous than said deviancy; or if he was just trying to revel in sordid shock? I doubt the latter, probably he wanted to take the challenge of presenting Genet to audiences today. Better than another modern take on Shakespeare surely.

But while Genet's writings were surely scandalous in his day, what about Haynes' audience now? I realize that there are still throngs of folks who fear thongs...much less anything as pointed as a penis.

Yes those folks are out there, I just don't know any of them...and I doubt I'll be wresting a copy of "Poison" from their hands at the local videodrome any time soon. We keep our distance, I recommend you keep your distance from this disk as well. I do think such distance and decorum can exist....along with same sex marriage.

So unless you are assigned to watch it, to study it... choose another "Poison."

5/10

Todd Haynes first full-length film was a triptych of stories inspired not only by the novels of Jean Genet but also by the schlock-horror B-Movies of the fifties and sixties. Sex, primarily homosexuality, is the main theme and is presented both poetically and with a good deal of self-deprecating humor, (one tale, modeled on "The Fly", is obviously about AIDS), and prefigures much of Haynes later work; "Far from Heaven" isn't far from the surface in the presentation of the story about a boy who kills his father and literally flies away. It's certainly not commercial and was clearly aimed at a specific art-house audience but it marked a breakthrough both in Independent American Cinema and in LGBT cinema. It also marked Haynes out as a major talent and someone to watch.