Alien Prey is a sci-fi / sexploitation movie that accomplishes what it sets out to do: offer cheap thrills and quick T&A. It's far from a good movie, but still fun to watch.

The film follows a shape shifting alien that arrives in the English countryside and starts killing people and animals. He moves in with a pair of lesbians, one of whom may be pretty dangerous herself.

This movie exists for two reasons: to show off the body of Glory Annen and offer some cheap gore. It succeeds more in the first department than the second. Although it offers plenty of titillation, the pacing, particularly in the middle, is rather slow. The climax does offer some surprisingly good gore though, and a twist I didn't entirely expect.

One major issue with this film, in retrospect, is its depiction of lesbianism. The more obvious lesbian, Josephine, is portrayed as a mentally ill misandrist, basically a walking negative stereotype of lesbianism. That said, this wasn't unusual for the time, and the film depicts the other lesbian as a sympathetic character.

I laughed a lot near the end of this movie. I thought the character of Jo just got funnier and funnier the more jealous she became.

This movie has some really great moments. In particular, the drowning scene, the hunting scene, the fighting scene where Jessica gets knocked out, the drag costume, etc etc! All are pretty original and pretty hilarious when you think about it.

Why they needed the drowning scene to be in slow motion, I'll never know. And the idea of dressing an alien man up in drag, getting him drunk and playing hide and seek with him cracks me up.

Jo was such a drama queen, like when the chickens got killed, when she missed the shot at the fox, when she is yelling at Jessica or running out of the house, she is always freaking out so majorly, it's great! Such an unassuming body/face, and such a huge character.

I liked this movie a lot, it's worth checking out.

PREY

Aspect ratio: 1.37:1

Sound format: Mono

A lesbian couple (Sally Faulkner and Glory Annan) living in a remote country house are driven apart by the arrival of a young man (Barry Stokes) who turns out to be a flesh-eating alien, the vanguard of a massive invasion...

Despite its shoestring budget and leaden pacing, Norman J. Warren's follow-up to SATAN'S SLAVE (1976) amounts to a great deal more than the sum of its meager parts, thanks to a surprisingly complex script by Max Cuff (apparently, his only writing credit): Faulkner and Annan indulge an obsessive relationship whilst living in isolated splendor within the English countryside (rendered alternately beautiful and ominous by Derek V. Browne's eye-catching cinematography), though Annan's discovery of bloodstained clothing in an upstairs room marks one (or both) of these doe-eyed lovelies as psychologically disturbed, which may explain the absence of their respective families, some of whom appear to have lived in the house at one time or another and 'left' under mysterious circumstances. Stokes' unexpected arrival throws the relationship into disarray, partly because Faulkner has a pathological hatred of men and partly because Annan is attracted to him, creating tensions which result in a climactic whirlwind of violence. There's an extraordinary, multi-layered sequence in which Faulkner attempts to 'emasculate' their clueless visitor by dressing him in women's clothing, though Stokes' alien mentality allows him to rise above the intended mockery.

In the early scenes, at least, the relationship between Faulkner and Annan is depicted with uncommon grace and dignity, but this heartfelt sapphic liaison quickly devolves into crowd-pleasing episodes of sex and pulchritude, culminating in an explosion of horror when Annan allows herself to be ravished by Stokes following a violent argument with Faulkner. The closing sequences are (quite literally) gut-wrenching, especially Annan's final scene, which appears to have been clipped for censorship reasons in 1977 and never fully restored (what remains is still pretty vivid, so brace yourselves!). Excellent performances by the three leads, bolstered by Warren's unobtrusive direction, which takes full advantage of the stunning woodland locations, thereby compensating for the film's budgetary shortcomings. Originally released in the US as ALIEN PREY.