REMOTE CONTROL cleverly makes fun of all those sci-fi/horror movies from the 50's to the 80's about an alien conspiracy trying to wipe out all mankind. It's even fairly original as to the means the aliens use to succeed in their diabolical plan: A video-tape with a cheesy sci-fi-flick is being spread throughout the country. While watching it, it sends out signals, converting yourself into a killing maniac. A videostore clerk figures it out and sets off to stop this madness.

REMOTE CONTROL is an undeniable product of the 80's but also parodies that same era. Quite unique, I'd say, and therefore extremely enjoyable to watch. Videostores were spawning all over the country during the 80's, and this movie portrays them as distributors of evil. It makes particularly fun of the 'tv-generation' and the youngsters in this movie are all caricatures. Just look at all their colorful costumes & crazy hairdos. It portrays the 80's generation as if seen through the eyes of the 50's generation, applying their notions and ideas of the concept 'futuristic'. So you see REMOTE CONTROL goes pretty far in terms of parody. And between all this spoofing insanity, it also manages to refer to François Truffaut's BAISERS VOLÉS. I think director Jeff Lieberman comes close to being a genius. But that's only because of his ideas and the fact that he knows his stuff, not for his technical skills or stunning visuals. He certainly is no Tim Burton (I'm only mentioning him because he made MARS ATTACKS!, which is probably the ultimate sci-fi-spoof. So I'm NOT comparing him to Lieberman).

It was also so much fun to see a rather young Jennifer Tilly in this one. Now, we all love Ms. Tilly, don't we! And I personally think she deserved the part of Deborah Goodrich. That way she could've lasted the whole movie, instead of killing her off so soon. Kevin Dillon maybe isn't a great actor, but he was decent as Cosmo, the video-clerk with a mission. I liked him better in the '88-version of THE BLOB, though.

I desperately want to rate this movie a bit higher, but I can't. Because the rest of the acting wasn't so good and the rather low budget & production values really showed from time to time. This movie also could've used a bit more cheesy special effects, 'cause there are practically none. And there's also no blood (exept a few gun-shot wounds and the death by a futuristic knitting device), in case you were wondering. And then there's the fact that we never actually see the aliens. Only their human puppets, doing all the work. They're only referred to as being on a distant planet, controlling everything. But in the end this movie succeeds in what it intended to do: making a funny sci-fi/horror-spoof that will have you laughing at its intentional stupidity & silliness.

Entertaining B-movie, with a strikingly original premise (a videocassette that turns those who view it into killers, distributed by aliens who got the idea from the actual film the cassette contains) and some witty touches (along with some silly ones). It would have benefited from a larger budget, which would enable it to have a greater scope (after all, we are talking about the destruction of the Earth here), but it will still make you nostalgic about the early days of "the home video revolution". (**)

God I love Jeff Lieberman's work and it never seems to amaze me. 'Remote Control' is no different, and it's probably his most obscure feature. All this guy needs is quite a healthy budget to let those innovative ideas and visions truly evolve. What's lined up in the VCR (yep it's the glorious video era) is a B-grade Sci-fi retro spoof on 1950's Sci-fi set in modern times and the late 80s video boom that's mainly spot on with its send up, even with such limited resources and slight material. It's quite well done (in typical 80s spirit) and ejects rather an inventive premise that have aliens using an mind-controlling video which features an hilarious shoddy old-fashion Sci-fi film called "Remote Control' that sees the viewer becoming apart of the screen action and virtually losing control, killing anybody near. So it's up to a video clerk who discovers the secret to put a stop to it all. Something only the 80s could spit out.

From the get-go everything falls on the quirky and low-key side. It's daft, but it knows it and plays it accordingly with its often witty, but undemanding script. Where it builds upon paranoia and conspiracy laced inclusions, but despite its small groundwork Lieberman's able direction makes it work and the self-parody is hard to dislike. Even Peter Bernstein's music, expertly harked back to those eerie 50's sci-fi scores. The vibe that was created was perfectly pitched. Tim Suhrstedt's camera-work sparsely moves around and effectively judged which it's at its best during the attack scenes.

Little to no FX is used (which would be due to the considerably low-budget), but an attempt at story-telling and heighten suspense comes to the forefront. It works to its strengths and this is what makes it more so successful. Some passages can get slack or repetitive, but the pace manages to be snappy and the fashionable décor holds your attention. Not letting you forget what era this was from. There's convincing performances (done in mock-seriousness approach) from a reliable Kevin Dillon, a wonderful Deborah Goodrich and an all too short, but a perky Jennifer Tilly. No matter how small her part is, Tilly always does her best to leave an imprint on proceedings. I didn't think that Dillon would be strong enough to carry the lead role, but surprisingly he looks and acts the part.