Rendez-vous in Paris

1995 [FRENCH]

Comedy / Romance

5
IMDb Rating 7.2/10 10 2652 2.7K

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Plot summary

Three stories of love and coincidence around the theme of dates in Paris.

Director

Top cast

Aurore Rauscher as Elle - Woman
Michael Kraft as Le peintre - Painter
Veronika Johansson as La Suédoise - Swedish Girl
Olivier Poujol as Le garçon de café - Coffee-shop waiter
720p.BLU 1080p.BLU
867.62 MB
1280*768
French 2.0
NR
us  
25 fps
1 hr 34 min
Seeds 1
1.57 GB
1800*1080
French 2.0
NR
us  
25 fps
1 hr 34 min
Seeds 7

Movie Reviews

Reviewed by valadas 7 / 10

Encounters and missings

Eric Rohmer usually explores with exceptional psychological talent what is in the minds and hearts of ordinary people in what concerns love relations. In his movie people reflect and talk thoroughly about what they feel (or suppose they feel) in what regards those relations and live apparently superficial events although very meaningful and sometimes unexpected and surprising. In this movie the first two stories are about love and infidelity treated in a humorous way without prejudice of their psychological depth. Human beings are like that and they not always realize what they really feel. The third story is of love and infatuation, of illusion and disillusion when you think that because you love someone, automatically the loved one also loves you which seldom is true. The city of Paris atmosphere where the three stories take place is particularly favourable to such sentiments and situations for its romantic urban environment. We have then here the usual Rohmer's characters: authentic human beings somewhat doubtful about their feelings and thoughts (though they sometimes suppose they are certain about that) who now and then have to face situations for which they were not prepared. Not very dramatic but not superficial anyway.
Reviewed by jimcheva 8 / 10

Neatly allusive and realistic tales of romance, with lots of Paris

All three tales here reference romance, if in very different ways, and Paris is generously used, including some little known spots. The dynamic between young men and women is credibly yet delicately drawn, with more than a touch of understated humor along the way. The whole film has a slight sense of an exercise in style such as the Coen brothers sometimes undertake. It is very French in its verbal examination of ideas and relationships: "I never date painters, I like paintings too much"; "Picasso is never Picasso, that is what makes him Picasso". A gentle social satire runs through much of it along with an indulgent view of youth - one very much feels that all these people will view life very differently a decade later. But for now they're young, and thinking a little too profoundly, and flirting far too easily, and yes playing a few games. Those who are like them, or remember when they were, will smile and happily follow them as they form light memories to look back on from a weightier future.
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