Rocky Aur Rani Kii Prem Kahaani

2023 [HINDI]

Comedy / Drama / Family / Romance

25
Rotten Tomatoes Critics - Certified Fresh 83% · 23 reviews
Rotten Tomatoes Audience - Upright 81% · 500 ratings
IMDb Rating 6.5/10 10 47141 47.1K

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Plot summary

Gym-freak brat Rocky falls in love with Rani, who comes from a well-educated Bengali family. Being from polar opposite worlds, the two decide to switch their families to adjust to each other's cultures and backgrounds and to know if their marriage will survive. Rocky and Rani are trapped in a world where they are united by love but divided by families and the ultimate question is will they fit in?

Director

Top cast

Rohan Gurbaxani as Kailash
Alia Bhatt as Rani Chatterjee
Shabana Azmi as Jamini Chatterjee
720p.WEB 1080p.WEB 1080p.WEB.x265
1.61 GB
1280*534
Hindi 2.0
NR
Subtitles us  
24 fps
2 hr 58 min
Seeds 22
3.3 GB
1920*800
Hindi 5.1
NR
Subtitles us  
24 fps
2 hr 58 min
Seeds 19
2.99 GB
1920*800
Hindi 5.1
NR
Subtitles us  
24 fps
2 hr 58 min
Seeds 14

Movie Reviews

Reviewed by critiquerimdb 6 / 10

An Ayushmann Khurrana movie set in KJo Cinematic Universe

Rocky Aur Rani is another addition to the gallery of Dharma films with cringe and wordy titles. Karan Johar is famous for making unapologetically formulaic potboilers with larger than life settings, unrealistic tropes, humour banking on audience's stereotypical and/or prejudiced mentality, scintillating chemistry, great soundtrack and score, extremely convenient resolutions and a buttload of melodrama. Rocky-Rani, however, does two things differently. It underwhelms on the music front and it ditches punchbag character-oriented humour for more progressive comedy.The movie is filled with pop culture references, many of which were self-eulogising and relied on the feedback loop of celebrity culture whose torchbearer is Karan Johar himself. It also takes up certain plots that could potentially contradict each other and then dissolves them conveniently for the benefit of the main storyline that revolves around the lead pair. Half of the film's budget seems to have been spent on obtaining licenses to the many, many popular Bollywood numbers it used to set up the chemistry between its lead pair - something its average original soundtrack probably wouldn't have managed.You walk into a Karan Johar film expecting all of this but where this film surprises is in its tonality. The movie feels like an Ayushmann Khurrana social comedy set in Karan Johar cinematic universe. You have a relatable, spoilt but receptive "raja beta" as the lead who falls in love with someone who transforms him into a progressive man. The main conflict then revolves around this man transforming the rest the regressive characters into doing better and the resolution is always acceptance and togetherness. Of course all of this involves extremely wealthy characters whose jobs turn demanding and non-demanding as per the plot's need. You even have a monologue or two by the leading man but Karan is calculative enough to know how much he should challenge this post-pandemic cinemagoing audience so he villainises the woman by making her impulsive at one point. He also chooses to dedicate one monologue to victimisation of the leading man who has been trying to change but the cancel culture would simply not let him catch a break!!! It almost felt like Karan was directly talking to those in the audience who have cancelled him for problematic tropes in his past films.The film almost tips in the favour of the Bengalis in this ultra rich person's Vicky Donor but tries to add nuance to show it's not biased against Punjabis or views all Bengalis as progressive. You have good and bad on both sides. Its resolution positively surprises when it holds back from going completely Disney on you. It acknowledges incorrigibility in some people while also discussing (in its contrived Johari manner) the root cause behind it.The performances deserve a special mention. You have incredible supporting cast from Jaya Bacchan to Shabana Azmi to Dharmendra. The leading pair too did well - specially Alia whose ethereal beauty and captivating screen presence was a character in itself.Overall, the film makes for a fantastic one-time watch that stays with you for a couple of hours after viewing. You can watch it with your friends and family.
Reviewed by oazam-94021 5 / 10

Not the "Kahaani" you'd expect from Karan Johar

The B-wood industry has been yearning for one thing and one thing only - MONEYYY! This is an evident example of how talentless people steal the spotlight for those who have been trying to pursue their passion but can't thanks to the veterans who have been loaded for their children.

So this is a film that centers around 2 characters from different cultural/traditional backgrounds.

Meet Rocky Randhawa and Rani Chatterjee

Rocky comes from a stereotypical but affluent Punjabi background that consists of his parents Tijori and Poonam, his grandparents Kanwal and Dhanlakshmi, and his sister Gayathri a.k.a Golu. Dhanlakshmi runs a "mithai" empire and is considered the matriarch of the house with lack of respect for her daughter-in-law.

Rani comes from a conservative and traditional Bengali background that consists of her parents Chandon and Anjali, and her grandmother Jamini. She is a news anchor by profession while her mother is a literature professor and her dad, a Kathak dancing instructor while Jamini runs the household.

The fall in love element comes into play due to the past history of Kanwal and Jamini as they were in love a long time ago but due to their differences, they couldn't be together. So coincidentally, Rocky and Rani meet, fall in love, and decide to get married

Due to the family's oppositions, they decide to switch places to prove their worthiness and how their fate is what forms their love story along with healing the past and the present of the Randhawas.

Okay, might seem like a decent plot but the film focuses too much on the family drama aspect rather than the romantic aspect of the film that was supposed to be there. The screenplay was completely erratic and convoluted to a very high extent that tethered to the highest of predictability levels.

First a fall in love scenario and then the rest of the 90-100 mins on the family drama aspect. So it's like ADHM & HSKD in the beginning, then K3G & BKD in the middle, and lastly spice it up with a copied KKHH and 2-states climax.

So it's a hybrid from KJo's filmography. A typical ending to any KJo film, the guy wins the girl after all the maafi's have been done from both respective families .

This is clearly apparent how originality is diminishing from the face of this industry and how nepotism is being heavily triggered and this film is a clear example of this issue. Exploitation, nothing else.

When it comes to performances, this is one aspect that can be accepted as both the lovebirds performed immaculately in their roles.

Ranveer Singh was able to display a flamboyant persona on screen while Alia Bhatt was subtle and nuanced and did make herself leave a decent impression in front of the audience.

The veterans Jaya Bachchan, Dharmendra, and Shabana Azmi were also good in their respective roles and managed to bring a bit of that spark in this confusing film.

Jaya Bachchan reminded me of Yash Raichand, Dharmedra acted almost like Rishi Kapoor from Kapoor & Sons while Shabana Azmi acted like Farida Jalal from KKHH.

Dharmedra portrayed a aging and amnesiac grandfather with not many dialogues but his presence was doable.

Supporting cast were fine but Aamir Bashir's role reminded me of Ronit Roy from 2 States. Same anger and attitude along with that complacent personality.

Pritam has made quite a comeback with some decent tunes but What Jhumka was a bit too much despite its slight peppiness it adds as original music exists for a reason. Tum Kya Mile and Ve Kamleya were the major highlights of this album and the melodious voice of Arijit managed to add some magic to this film.

Cinematography was fine and the editing was decent but could've been more crisper since ADHM looked better than this. Wish KJo wrote this rather than having his pay-rolled staff pen this confusion and have him sit in front of the camera. This is exploitation

Overall, Karan Johar needs to see the potential talent in front of him despite how nicely Alia Bhatt and Ranveer Singh performed but the narrative needs work. Too predictable and I think 90% of the audience know your filmography thank you.

2.5/5 - A Dharma wound.

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