This adaptation of an almost classic film makes some weird changes and leaves others that look like an anachronism in a world forty years later. It's better to take the new film for what it is and judge it on its own merits and flaws. Sabrina's sojourn in Paris is too brief to remake her and for Paris to become an obsession on her return. How does she land directly into the world of high fashion? It's hard to accept the younger brother's sudden transformation from a playboy into the responsible serious role of his older brother. It happens towards the end just when the plot needs a new direction. Just as his new doctor finance suddenly reappears when needed. She and all the minor characters are just one-dimensional figures. Ford is well…no Bogart but Humphrey wasn't any better in the role either. Julia Ormond, despite the criticism on this forum, is the one bright star. She shines and has a bit of Hepburn quality in her radiance as a grown woman.

Passable but overlong remake of the classic Audrey Hepburn vehicle will play best for those not familiar with the original. The cast(Harrison Ford, Julia Ormond, Greg Kinnear) performs well and its production values are high but director Sydney Pollack's pacing tends to flag. By contrast, Billy Wilder's direction of the 1954 version is much tighter and quicker. Interestingly this "Sabrina" is 15 minutes longer than its predecessor but thanks to Pollack those extra 15 minutes feel like 30. Also, Barbara Benedek's and David Rayfiel's script lacks the wittiness that scenarists Billy Wilder, Samuel Taylor("Vertigo") and Ernest Lehman("The Prize," "North by Northwest") provided the first time around.

Bottom line: 6 out 10.

Although terribly predictable and a bit too long, this film is kind of sweet. Ford shines as in his typical role of comically aloof and Ormand plays her lead well. Good chemistry and cinematography.