Sherlock Holmes

1916

Crime / Mystery

6
Rotten Tomatoes Critics - Rotten 50%
Rotten Tomatoes Audience - Spilled 50%
IMDb Rating 6.2/10 10 527 527

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Plot summary

When a couple of scammers hold young Alice Faulkner against her will to discover the whereabouts of letters whose dissemination could cause a scandal affecting the royal family, Sherlock Holmes decides to take over the case. (Considered lost, a copy was found in 2014, in the vaults of the Cinémathèque Française.)

Top cast

Edward Arnold as Moriarty Henchman In Striped Cap
Edward Fielding as Dr. Watson
Frank Hamilton as Tim Leary
Leona Ball as Thérèse
720p.BLU
1.05 GB
1280*960
English 2.0
NR
23.976 fps
1 hr 56 min
Seeds 3

Movie Reviews

Reviewed by springfieldrental 7 / 10

The Sherlock Holmes We're Familiar With, Thanks to William Gillette

There have been over 50 movies and TV series of the famous British detective Sherlock Holmes since novelist Arthur Conan Doyle introduced him to print in 1887. Of all the Holmes films produced, the one that was maddeningly lost and most prized was Essanay Studio's 1916 production with actor William Gillette, who made the detective famous on the stage. He was the Sherlock Holmes everyone is familiar with, molding the detective with the appearance and personality during the 1,300 performances he gave on the American and English stages before mesmerizing audiences. All film depictions of Holmes are based on the Gillette persona he lent to his detective, a portrayal heartedly approved by Doyle.So when the movie was discovered in Paris' Cinematheque Francaise archives in 2014 after a film canister had been mislabeled for decades, the cinematic community went bananas. At the May 2015 San Francisco Silent Film Festival, after the 1916 print was meticulously restored, lines formed outside the theater patiently waiting to see the United States premier of the newly-discovered movie. Movie aficionados knew this was Gillette's only appearance on film; this was his only acting of the detective preserved which greatly influenced future acting generations on the mien and presence of Sherlock its originator Doyle endorsed."Sherlock Holmes," originally released in May 1916, is a combination of four Doyle stories, which the 1899 stage play was based. Seen on the screen for the first time was Sherlock wearing his famous deerstalker hat, introduced by Gillette when he played him on the stage. Also seen was the curved-stem calabash pipe clinched between the detective's lips, a choice Gillette made when he noticed the straight-stem pipe impeded his voice projection and pronunciations. Gillette is also credited in giving Holmes the line directed at Dr. Watson, "Oh, this is elementary, my dear fellow."Before the movie production, Doyle gave Gillette permission to do anything he wanted with the Sherlock Holmes' franchise, so trusting was the author to the actor's knowledge and temperment of the detective. Gillette went ahead and introduced to the screen the role of the Dr. Watson character, played by Edward Fielding. In addition, Holmes' arch-villain, Professor Moriarty, is given more stage presence in the film than Doyle wrote about him in his novels.Gillette continued to have a lucrative acting career after the film release of "Sherlock Holmes,' but alas, not in cinema. He was one of those rare actors in his day who made a fortune in his profession, affording him the luxury of building his dream home, the Gillette Castle in East Haddam, Connecticut. He was especially passionate about his three-mile miniature railroad surrounding his estate. The state of Connecticut bought his property six years after his death and created the Gillette Castle State Park. A four-year $11 million renovation of the castle, museum and performance stage, completed in 2002, is one the top three state tourist attractions.Gillette, who died at age 83, is buried with his family in Farmington, CT's Riverside Cemetery.
Reviewed by BSKIMDB 6 / 10

William Gillette Sherlock Holmes - Not much Holmes, but the most of Gillette

This is a recovered treasure for all those who love the theatre and who want to learn about its main representatives in an era before motion pictures existed and filming performances became possible. Of Henry Irving, Sarah Bernhardt and their contemporaries we have only blurred voice recordings and some silents if we are lucky. Most of these silents are from a very early stage when cinematic art was still developing, and often try to copy the play as it was, instead of adapting it to a different media. And this can be sensed both in the sets and in image quality. Most of these actors had a melodramatic style of delivery, with ample and dramatic gestures. A style that now seems outdated. Later films like The Perils of Pauline (1947) would take excellent profit of it.Not such a case with William Gillette. He practiced self-containment and rejected superficial melodramatic gestures, yet his plays are full of drama and also sense of humor. That Sherlock Holmes became maybe his most famous role, backed up by Conan Doyle´s complete approval, does not detract from the fact that he was also an author, and when he staged Sherlock Holmes he adapted the character to his own liking.This means we have a personal Holmes, who, if having some resemblance to the character, is not the least the most truthful to the novels. Not at all. If you expect that, you´ll be disappointed. This is Gillette´s personal Holmes, same as John Barrymore´s Holmes (1922) was more Barrymore than Holmes. Also the picture was conceived as a chapter serial, and this must be kept in mind, the story slowly progressing and offering few surprises.The film has some weak points : relegating Dr. Watson (who plays quite a decorative role), practically ignoring Holmes´deducting skills, presenting very bland villains and an even weaker Moriarty who does little evil at all, an equally inconsistant heroine (who does nothing but suffer, and is presented as held a prisoner then manages quite easily to go out at her will), a much too long story for telling little at all, and (oh my God) Gillette even takes the liberty of making Holmes fall in love! (He nicely asked permission to do so, and Conan Doyle gave him absolute freedom).Then we have the strong points : watching Gillette himself is a privilege. Since we cannot sense the power of his stage presence, we can have a look at what he should be like. And the result is, one wishes to enjoy more of it. Also, the sets are designed with careful detail and performances as a whole are good.The Cinématheque workers who mislabelled the can and allowed such a treasure, believed lost for 80 years, to survive and reach us all, should be given as much credit as those who finally discovered what it really contained and brought it to light, and also those others who have devotedly restored William Gillette Sherlock Holmes.
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