Sounder

1972

Drama / Family

5
Rotten Tomatoes Critics - Certified Fresh 91% · 23 reviews
Rotten Tomatoes Audience - Upright 79% · 1K ratings
IMDb Rating 7.5/10 10 5146 5.1K

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Plot summary

The oldest son of a loving and strong family of black sharecroppers comes of age in the Depression-era South after his father is imprisoned for stealing food.

Director

Top cast

Janet MacLachlan as Camille
Cicely Tyson as Rebecca
Paul Winfield as Nathan Lee
James Best as Sheriff Young
720p.WEB 1080p.WEB
972.02 MB
1280*544
English 2.0
NR
Subtitles us  
23.976 fps
1 hr 45 min
Seeds 3
1.76 GB
1918*816
English 2.0
NR
Subtitles us  
23.976 fps
1 hr 45 min
Seeds 3

Movie Reviews

Reviewed by SnoopyStyle 8 / 10

best Tyson

It's 1933 Louisiana. Poor negro farmer Nathan Lee Morgan (Paul Winfield) has a hound dog named Sounder. He's bitter about the hard times and his wife (Cicely Tyson) tries to comfort him despite their kids are going hungry. In desperation, he steals from the smokehouse and Sheriff Charlie Young arrests him. That's when a deputy shots Sounder. Nathan is sentenced to a year of hard labor and the family has to struggle without him. Rita Boatwright is the kind white lady. Oldest son David Lee sets off with Sounder to find his father. Kind teacher Camille Johnson wants David Lee to stay with her and attend her school.Cicely Tyson's stardom is a little before my times. I've seen her in many things but I've never seen her in something like this. She is amazing. There are several scenes where her diminutive statute belies her powerful presence. She reveals an easy dignity, quiet strength, and endearing vulnerability. The pacing can be leisurely at times but it is never boring. The setting is perfectly southern. It presents a time and a place. The family has a desperation and a loving bond. The side characters are all great. The sheriff is a man of rules in a world of racist rules. The kind white lady falters in the face of power but recovers to do the right thing. This movie feels real and the realism accentuates the emotional power. There is nothing more powerful than the reunion. This is not a big story but it is a powerful drama of the heart.
Reviewed by gbill-74877 7 / 10

Great message and representation

A gentle film about a poor African-American family in rural Louisiana in the 1930's, and the hard life they face. It's just a little too quiet and squeaky-clean in its dialogue and "feel good" moments for me to truly love, but on the other hand, there are moments of real darkness, and the film is touching in its message of perseverance and the hope for its characters to overcome a deck stacked against them. The film should also be given a lot of credit for its content and cast in 1972 - just compare it to other film depictions of African-Americans in this period.The intimidating malevolence of the white ruling class is felt in cruel ways, such as shooting at a dog(?!) and not telling the family where their father has been sent after he steals some food ala Jean Valjean. It's also felt in ways that are silently menacing, such as facing stern, judgmental eyes as they constantly struggle to make ends meet because of the unfair sharecropping agreement, and when the boy simply glances at a giant house while on a walk far from his own home, one of my favorite moments in the film. The other is when a couple of different teachers give him books to read, the only shred of a hope to rise in socioeconomic class. I only wish the film had a little more edge to it, which apparently the book does.Quote: Ike (recounting a time when he accidentally went into a white church): "...I went home and did me some praying to the Lord. I said, Lord, I went into this white church down in Row (County) and all I want you to tell me is how I ever got outta there in one piece." Nathan Lee: "What did the Lord tell you, Ike?" Ike: "He said, I don't know, Ike - you doin' better'n me, I been tryin' to get in there for 200 years and ain't make it yet!"
Reviewed by NORDIC-2 9 / 10

Excellent period piece

In 1969 William H. Armstrong, a white 9th grade history teacher at Kent School in Connecticut, published 'Sounder', a short but deeply moving children's novel about the struggles of black sharecroppers in Louisiana during the depths of the Great Depression. Instantly recognized as a classic, 'Sounder' was awarded the John Newberry Medal and the Lewis Carroll Shelf Award in 1970. The book also attracted the attention of Martin Ritt, the once-blacklisted producer-director of 'Hud', 'The Molly Maguires', 'The Great White Hope' and a host of other socially committed movies. Ritt recognized that 'Sounder' transcended its coming-of-age theme by providing a powerful depiction of the Jim Crow South at its most oppressive: a part of history that had never been adequately represented in American cinema (though the story of white poverty in the Great Depression had been told in John Ford's 'The Grapes of Wrath', 1939). Ritt bought the film rights, sold Fox producer Robert B. Radnitz on the project, and hired African-American screenwriter Lonne Elder III to work with Armstrong in adapting 'Sounder' to the screen. Shot on location in East Feliciana and St. Helena parishes (just north of Baton Rouge), 'Sounder' stars Paul Winfield as Nathan Lee Morgan, Cicely Tyson as his wife, Rebecca Morgan, and Kevin Hooks as David Lee Morgan, their 13-year-old son who must assume the role of paterfamilias after his father is sentenced to a year in a work camp for stealing a ham to feed his starving family. (The title of book and film derive from the name of David's beloved dog, Sounder.) Beautifully photographed by John Alonzo ('Vanishing Point'; 'Harold and Maude'), 'Sounder' boasts a pitch-perfect script that avoids bathos; terrific acting; a great period blues soundtrack by Taj Mahal (who also has a small role in the film); and an uplifting message of black pride, determination, and endurance. Nominated for a Golden Globe and four Academy Awards (including Best Picture), 'Sounder' garnered excellent reviews—although some critics found the film too safely "liberal" because it was a family-oriented period piece. VHS (1998) and DVD (2002).

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