Soundtrack to a Coup d'Etat

2024 [FRENCH]

Action / Documentary / Music

Please enable your VPΝ when downloading torrents

If you torrent without a VPΝ, your ISP can see that you're torrenting and may throttle your connection and get fined by legal action!

Get Surf VPΝ

Plot summary

Jazz and decolonization are intertwined in a powerful narrative that recounts one of the tensest episodes of the Cold War. In 1960, the UN became the stage for a political earthquake as the struggle for independence in the Congo put the world on high alert. The newly independent nation faced its first coup d'état, orchestrated by Western forces and Belgium, which were reluctant to relinquish control over their resource-rich former colony. The US tried to divert attention by sending jazz ambassador Louis Armstrong to the African continent. In 1961, Congolese leader Patrice Lumumba was brutally assassinated, silencing a key voice in the fight against colonialism; his death was facilitated by Belgian and CIA operatives. Musicians Abbey Lincoln and Max Roach took action, denouncing imperialism and structural racism. Soviet Premier Nikita Khrushchev intensified his criticism of the US, highlighting the racial barriers that characterized American society.

Top cast

Eva Gabor as Self
Dwight D. Eisenhower as (archive footage)
Fidel Castro as (archive footage)
720p.BLU 1080p.BLU 720p.WEB 1080p.WEB 1080p.WEB.x265
1.41 GB
1280*720
French 2.0
NR
Subtitles us  nl  fr  pt  ro  
23.976 fps
2 hr 36 min
Seeds 9
2.89 GB
1920*1080
French 5.1
NR
Subtitles us  nl  fr  pt  ro  
23.976 fps
2 hr 36 min
Seeds 17
1.35 GB
1280*720
French 2.0
NR
Subtitles us  nl  fr  pt  ro  
25 fps
2 hr 30 min
Seeds 15
2.77 GB
1920*1080
French 5.1
NR
Subtitles us  nl  fr  pt  ro  
25 fps
2 hr 30 min
Seeds 52
2.51 GB
1920*1080
French 5.1
NR
Subtitles us  nl  fr  pt  ro  
25 fps
2 hr 30 min
Seeds 34

Movie Reviews

Reviewed by pinkmanboy 9 / 10

Improvising Freedom

"Soundtrack to a Coup d'État" feels more like a jam session of ideas and emotions than a straightforward history lesson. Directed by Belgian filmmaker Johan Grimonprez, the documentary blends music, politics, and collective memory to transport us to post-independence Congo and dive into the tragedy of Patrice Lumumba's fall. It's a powerful mosaic where every element-from archival footage to the jazz-heavy soundtrack-contributes to a dynamic portrait of a historic moment filled with promises, betrayals, and echoes that still resonate today.Right from the start, the film sets its tone by weaving vibrant footage of newly independent Congo with electrifying performances by jazz legends like Nina Simone and Louis Armstrong. The music isn't just background noise-it's a crucial part of the narrative, capturing both the optimism and the chaos of that era. Grimonprez uses jazz as a living metaphor for the political and social improvisation that defined the struggle for independence amidst Western powers' scheming. Every off-key note and unexpected pause mirrors the turbulence of a Congo striving to shape its own future while external forces worked to keep it chained to the past.The documentary's non-linear structure is utterly fascinating, jumping between decades, events, and cultural contexts. This approach might feel disorienting at first, but it's a deliberate choice that reflects the complex history Grimonprez aims to unravel. There's no attempt to smooth over or simplify the narrative; instead, the film demands your full attention, pushing the audience to deeply engage with the events on screen. This fragmented style is also a reminder that colonialism and its aftermath aren't linear stories-they're scars that continue to branch out, connect, and reverberate.At the heart of the film is Patrice Lumumba, a pulsating symbol of hope and tragedy. Grimonprez emphasizes his revolutionary vision and martyrdom without holding back. Lumumba is portrayed as a messianic figure, a leader whose dream of a sovereign Congo and a unified Pan-Africanism was as inspiring to his people as it was threatening to colonial powers. Here, the film takes on a heavier tone, showing how his vision was systematically dismantled through calculated assassinations, coups, and political manipulation.Grimonprez also masterfully examines the intersections of culture and politics. The tours of musicians like Armstrong and Simone are contextualized as part of Western powers' soft diplomacy strategies, while the music they performed in turn became a form of cultural resistance. This duality-of artists often unknowingly serving imperialist interests while their songs inspired revolutionary movements-is one of the documentary's most tragic and thought-provoking aspects.Perhaps the film's greatest strength lies in its ability to turn historical facts into a visceral experience. Its sharp editing connects archival footage of Lumumba's speeches, contemporary Congo scenes, and modern ads from brands like Tesla and Apple, drawing provocative parallels between colonial exploitation and present-day systems of extraction and inequality. It's a stark reminder that history doesn't just repeat itself-it evolves, often disguising its predatory core.Even with its hefty runtime of 150 minutes, the film rarely loses its momentum. If the pacing occasionally feels slower, it's due to the sheer density of the material rather than any narrative misstep. Grimonprez seems more interested in overwhelming the audience with information than delivering a neatly packaged story. While this can be exhausting, it's immensely rewarding for those willing to dive into its depths.Ultimately, "Soundtrack to a Coup d'État" isn't just a tribute to Lumumba or a study of Congo's past. It's a call to reflect on how music, culture, and politics are intertwined in a constant cycle of oppression and resistance. This is a film that challenges us to look beyond the headlines and listen to the stories that linger in the spaces between the notes-stories of struggle, loss, and the relentless pursuit of freedom.
Reviewed by Sil-Azevedo 9 / 10

Moves Like Jazz

What do jazz and a Coup d'Etat in Central Africa have in common? This documentary by Belgian filmmaker Johan Grimonprez uses a wide selection of historic footage to tell the story, spy thriller style. From American jazz greats such as Louis Armstrong and Nina Simone performing in Africa as good-will ambassadors, to on-the-ground scenes in the Congo as a Coup dÉtat brewed, powerful images fill the screen in rapid sequence. The narrative moves fast for 2 hours and 30 minutes, fusing music, sound, images and graphics to create a new kind of film. Although scenes were shot over half a century ago, the film feels fresh, urgent and contemporary.This is not a "casual watching" kind of movie. I am glad I watched at home, because I had to stop and rewind a few times. At the end of the intense 150 minutes, one feels they experienced an immersion into a period of history through contemporary eyes, a rewarding dive. Brilliantly researched and edited, a Sundance Cinematic Innovation award recipient and Oscar nominee for Best Documentary, this film moves like jazz.
Reviewed by golfcruise 8 / 10

Should be shown in schools

Whereas a documentary of this caliber on the direct-to-streaming aisle would incorporate your basic interviews and archival footage with little to no forethought, Soundtrack to a Coup d'État is a rallying cry within a musical odyssey. Hyperfast editing and a symphonic pace make this visual essay so special, resembling jazz's rigid but unforgettable structure. Vastly covering the Congo's struggle for independence (with jazz giants being the preface)- the inherent timeliness to today's genocidal crimes reflects a period not too astray from ours.At times it may seem like the gargantuan presence of information overwhelms the viewer into submission, but rest assured the film continues its tapestry of bedazzlement all the way through. This is how historical documentaries should be made. Lessons will be learned, techniques will be seen. Enthralling from beginning to end, Soundtrack to a Coup d'État must not be missed. A charming, distinctive gateway for those yearning to learn more about deep-seated neocolonialism.
Read more IMDb reviews

1 Comment

Be the first to leave a comment