Very interesting. The big twist wasn't as big a shock as maybe they had hoped for and it was very dated but it did get my mind working. It really got me thinking about a world without vegetation or livestock and made me appreciate the world I live in a lot more. Charlton Heston does a good job, as do all the supporting characters, and it was a very realistic film which was surprising. It lacked direction at times and a lot of the settings and background needed more explanation but it was still a surprisingly good and intelligent movie. The main fault that I could find was that I didn't want the film to end when it did, I would have liked to see what happened next.

7/10

"Soylent green" is an ecological dystopia that may not be a highlight in film history but that surely gives something to think about.

I saw it on television in 2022, the year in which the film is situated. The year also in which global warming / climate change was a real ecological worry. The film was made in 1973, a year after the Club of Rome had published his report "The limits to growth", questioning the sustainability of ongoing economic and population growth.

In the famous opening scene the effect of population growth and industrialization on the landscape is made visible, ultimately resulting in the city of New York containing 40 million inhabitants. Inhabitants feeding themselves with dried food of the company Soylent, because fresh fruit and vegetables is only affordable for the very rich.

Just like in a dystopia such as "Blade runner" (1982, Ridley Scott) the distinction between upper class and lower class is very big. Also this is a point of recognition in the "real" 2022, where growing inequality after years of neo liberalism, alongside environmental problems, is a concern. Unlike "Blade runner" the world (especially the interiors of the homes of the rich) is very 70's. As though the film accentuates that it is not the science that has evolved (for the better), but only the environment and the society (for the worse).

A minus for the film is in my opinion the role of women. They are portrayed as a sort of furniture in the houses of the rich. Furniture that is mainly there to be sexy. Overpopulation damaging the environment is plausible, overpopulation rolling back the emancipation of women is much less so.

One of the most provocative and best scenes is an old man choosing for euthanasia. He remembers very wel that he has lived in a better world long ago and he has seen enough. Even in 2022 the issue of euthanasia because you suffer from life itself (and not from some kind of disease) is very controversial. The euthanasia ceremoy consists of beautiful images of nature accompanied by the Pastoral symphony of Beethoven. With the exception of Disney's "Fantasia" (1940) this music has never been used so well in film. This dying scene was played by the old Edward G, Robinson, who died in the year "Soylent green" was released. This dying scene was the last scene in his long career.

The film ends with a shocking discovery. Of course I am not going to disclose this discovery, only that in the final scene the lead characters shouts his discovery to anyone who will listen. An ending very much alike that of "The invasion of the body snatchers" (1956, Don Siegel).