There is simply no denying that Miyazaki is the Godfather of Japanese Animation, time and time again delivering works of such incredible beauty, such stunning visual and sensory delights, such mastery of storytelling, that one can only be left speechless. Overwhelmed. Intoxicated with wonder. Such is the magic of Spirited Away.

Much like Miyazaki's previous feature Princess Mononoke, Spirited Away is an epic fantasy that deserves no better medium than the stunning animation work of Studio Ghibli. This multiple award-winning masterpiece has grown to become the largest grossing film in Japanese history, and rightly so. From the moment our child heroine Chihiro enters the bath houses we are literally bombarded with an overwhelming sense of detail and rich, lavish colours rarely - if ever - seen in Western animation. Scenes such as Chihiro running through the field of flowers, the marvellous landscapes seen from the train, Haku and Chihiro soaring the skies above, and Chihiro running across the pipe to climb the walls of the bath house are nothing short of breathtaking, and undoubtably some of the most lavish animation ever to hit the screen.

The world of Spirited Away is bustling with life; unique, quirky, instantly lovable creatures jostling about their daily activities and tasks in the bath houses, dancing across the screen like leaves caught in a playful summer breeze. The inventiveness of Miyazaki's character designs is wonderful to behold, in fact not since classic tales like Lewis Carroll's Alice In Wonderland and The Neverending Story have we been able to fall hopelessly in love with such original, quirky, magical, and fantastical characters. The viewer is plunged headfirst into another world for nearly two hours and one cannot help but be completely and utterly captivated.

The music and original score is stunningly beautiful, the original Japanese language track of such high quality that one wonders why someone could insult the work by producing a dub track at all. With a plot differing in its complexity on so many levels, from the basic storyline to the omnipresent universal themes, to the riddling of Japanese history and fable throughout, children and adults alike will be mesmerised from start to end. A magical, awe-inspiring, tearful, laughter-filled, heartfelt journey through a land of sweeping fantasy and dreams. Prepare to be Spirited Away......

Last year I saw Spirited Away on it's UK release. I've never been a particular fan of anime, and it didn't really occur to me that I was watching a foreign language film dubbed into English (or 'American'). I can't imagine seeing a live action foreign language film dubbed into another language, but hey, this is a kids cartoon, what does it matter? Up to a point it didn't, because I loved the film. I enjoyed it so much I set about digging up the Studio Ghibli/Miyazaki back catalogue, in the process Sprited Away was filed away as one of the lesser Ghibli's - still great, but compared to Laputa, Grave of the Fireflies and a few others, it seemed a little weak.

BUT... I recently re-watched it on DVD with the subtitles and found the difference unbelievable. The film came alive like the other Miyazaki's I've seen. It seemed infinitely more layered, detailed, intelligent and witty than I remembered. Could it be that retaining the intended performances (even if the words are unintelligible) can make that much difference? Maybe the dub was just poorly done? Or was it just because I was now versed in the language of Ghibli? As a little experiment I decided to re-watch some of the film with both the English subtitles and English language dub in order to compare, I ended watching the whole thing out of morbid fascination. It's simply amazing what a difference there is. Entire scenes change. It's not just that subtle emphasis is shifted or the same points are made in a different manner - in the dub, the subject of whole conversations and scenes are changed, and often to some flat and uninteresting hokum. Relationships between characters are changed, their motivations and personalities are changed, the difference is shocking.

I appreciate western, and particularly American audiences can be put off by subtitles. And cinemas are less likely to show the film anyway. It's pointless to be all righteous when, fundamentally, you just want people to see the film. Unless they do, this treasure trove will remain undiscovered, and maybe finding it will encourage people to conquer the 'subtitle demon' (as Miyazaki might call him). But the problem is the quality of these dubs, and the liberties taken with the source material. Of course, without speaking Japanese, who can say it's not the subtitles that are way off? They're probably written by westerners too. But the dub just stinks of Disneyfication. Saturday morning generic nonsense. The challenging, uncompromising and emotionally ambitious nature of the film is severely watered down.

A fair question might be, 'if it's so bad why was it so successful?' The success is evidence of the films staggering quality. Even so, it hardly challenged whatever Jerry Bruckheimer movie was showing at the time. In Japan it's the biggest grossing film in history. 'Go figure,' as Chihiro wouldn't say.

I enjoyed this movie but more towards the end. The first half of the movie was very odd, which is one of the main reasons I kept watching as I wanted to understand it but that didn't really happen. Not enough was explained and it felt like a mix of random events yet there was an actual story. Im struggling to come up with a reason of why no-face was even in the movie, he was just there. This movie isn't bad by any means, it's just lacking somethings in my opinion. I also didn't. Really feel in touch with any of the characters as no room was left for them to develop. The wired and wacky characters made the film very unique and interesting, the film is visually beautiful as well, I would personally want more depth.It is a good movie with a lot of potential. 7/10