It's a decent film I'd you like hooligans and Gangsters with a bit of patriotism thrown in then this is your kind of movie Cocaine sniffing hooligans and there sexy women

The acting ain't the best and the nightclub scene with was funny I've sceanr note atmosphere is an retirement home and London was like covid restrictions had happened already dead streets with the occasional police sirens....

Two cousins, Ray and Mickey, are the joint bosses of one of London's largest, home-grown, criminal empires. Whilst Ray is more focused on his now respectable appearance, with golf-club memberships and the like, Mickey keeps his eye on the street. In the knowledge that times are changing, the old-school gangsters are keen to keep a tight rein on their henchmen and lieutenants. Then when a deal gone wrong with an East European criminal organisation culminates with a mass shooting in South London, Mickey and Ray conclude that the only way to put things right will be to commit a diamond robbery – ripping off another criminal group – in Europe. Going onto the continent to carry out the crime, they ingeniously use an England v Germany football match as cover, and so travel with a large group of football hooligans, led by Mickey's older brother (an ageing thug). However, unknown to them until it's too late, one of the hooligans is posting messages on the internet in order to provoke mass fights with the German hooligan gangs – bringing Mickey, Ray and their robbers, into direct police attention. All the while, they are being tracked by a die-hard London Police Detective, intent on bringing Mickey and Ray down. But then into the chaotic mix, prior to pulling off the diamond heist, it becomes apparent that one of the gang is an informer… "Saint George's Day" is an ambitious, British crime thriller which fuses football hooliganism with gangsterism – although as separate entities rather than as one extended concept. There are many contemporary themes within the story, to its merit, and for the most part it succeeds in bringing these to life in an entertaining way – but it is hampered by an unnecessarily drawn-out attempt at character study of the two leads, by several recurring and tiresome clichés and with its questionable depiction of the London underworld.

St George's Day is directed by Frankie Harper, he also co-writes the screenplay with Urs Buehler and stars with Craig Fairbrass, Vincent Regan, Charles Dance, Dexter Fletcher, Nick Moran, Keeley Hazell, Jamie Foreman and Sean Pertwee. Music is by Tim Attack and cinematography is by Mike Southon.

Frankie Harper, one of the most liked and recognisable faces from the slew of British gangster and football hooligan films, turns his hand to try and make his own mark in what is becoming a bulging genre of Brit film. The kicker here is that he blends the two popular lad staples together by having a plot involving gangsters using a football rumble as cover for a robbery. In Berlin, Germany, no less and St George's Day as well! Cor blimey!

Plot is kind of incidental, which is just as well since it's not exactly a brains trust script. Film is filled out with the requisite amount of shouting, swearing, fighting, shooting, thieving, jingoism, sloganeering and lairy witticisms. Harper has surrounded himself with pals, clearly offering up reassuring presences to the budding director, while it's fun for fans of this splinter of Brit cinema to play spot the face. It's all very blokey and enjoyable enough for the undemanding, but the good idea on the page is not born out as the narrative often gasps for fresh air, the attempts at complexity ending up mundane.

The cinematography is a highlight, with the number of Euro locations used giving good visual tonics. Cast perform adequately as per the material, though Moran, Fletcher, Dance and Pertwee are under used and therefore wasted. There's enough in here to suggest Harper could offer something of value as a director, but maybe a little less crass for crass sake should be jettisoned in favour of some intelligence in the writing. Dexter Fletcher's debut outing as a director, Wild Bill, is a good marker, Frankie would do well to follow his mate's lead. 6/10