Stigmatized Properties is a Japanese horror movie. It was released in 2020
in Japan. The main character is Yamame. He is a comedian in Osaka, Japan.
He has a partner as a comedian. However, they are not popular at all
although they have been working for 10 years. So, they decide to disband.
One day, Yamame tries to get jobs and be popular by living in
stigmatized properties. He becomes involved in psychic phenomena
gradually with a former comedy partner and a woman who likes Yamame...
I love this film because the depictions of psychic phenomena and the
background of the stigmatized properties are also well visualized. The
way Yamame acts against our intentions immerses us in the film. And the
actress who plays the woman who likes Yamame is so pretty. I watched
this film with my friend, and he became a fan of her as well. You will
turn your attention to what will happen to her relationship with Yamame
in the end. People who like horror movies should watch this! However, I
do not recommend this film to people who live alone...because the film
is based on a true story.
Stigmatized Properties
2020 [JAPANESE]
Action / Drama / Horror
Plot summary
Yamano Yamame, an entertainer who can't sell, is unreasonably told by his seniors that he should live in the accident property because he will put it on TV, and he moves to the property where the murder occurred due to his appearance on TV and the low rent. At first glance, the room was a normal room, but a mysterious white object was reflected in the image of the room, and the sound was disturbed. The program in which Yamame appeared became lively, and Yamame moved around the accident property in search of new material. Yamame, who encounters various mysterious phenomena in the room where he lives, makes a big break as an "entertainer who lives in the accident property".
Uploaded by: FREEMAN
May 29, 2021 at 08:22 PM
Director
Top cast
Tech specs
720p.BLU 1080p.BLUMovie Reviews
You won't be able to live alone after you watch this film.
Stigmatized Properties
Scary? At times, yes, but that's probably as far as the complements can go. Kamenashi and his co-casts doesn't help with their subpar acting and over the top expressions, but the heart of the problem is that the film simply doesn't have a spine. Not much connects the four mini-stories except for the superficial romance. No times is taken to formally introduce the main antagonist, and that final encounter with him is simply dumbfounding and awkward, and does nothing to help the overall flow of them film except to end the tragedy of a movie.