Brought on-board a secret military base, a woman's attempts to investigate their supposed capture of a supernatural entity causes chaos on the base when it's accidentally released and goes on the rampage, forcing her to try to stop it.

This turned out to be quite a dreadful and really uninteresting effort without a lot really going for it. One of the only positives to this is the frankly original plot line concerning the capture of such an entity and what means is being done to control and contain it. Being able to remain controlled in a small enclosure with electronic impulses makes for a rather unique touch and allows this a pretty original touch that doesn't really get used all that often yet here makes some sense as the military would be one of the few places in the world where access to such material isn't out of the ordinary and seems pretty plausible throughout here. As well, the final half here tends to focus on the body-hopping means that the ghost employs to seek out revenge on the base for it's imprisonment and that leads to some mildly-tense sequences where it's in someone unexpectedly causing them to engage in all the horrific ideas and acts quite nicely. However, there's a lot really wrong here with the fact that this one tends to use a pretty hackneyed and cliché motive of the powers-that-be being unwilling to provide much in the way of explanations that would help this one be a little more understandable. Considering this is par for the course from the military, that's not all that out of the realms of realism where disinformation and withholding is pretty much par for the course in their history but here it just leads to endless scenes of her trying to actually do her job that she was specifically called there for yet keeps coming up with the bull-headed and refusal tactics from the military brass there which really begs the question of why she would want to stay there when what she's seen and been exposed to from their attitudes toward her would seem to really question why it was included in the first place. As well, this tends to really affect the pace of this with numerous scenes that go nowhere due to their refusal as well as tends to cause this to feel like a drag with hardly anything happening which is quite a common trait in many of the recent British efforts so this is no exception. Finally, the low-budget on display throughout this tends to cause the attacks to come off as quite lame and really ridiculous with hardly any real effort put into them, the special effects aren't that great and overall the film's centerpiece scenes are pushed so far into the back-half of the film it's too little too late as well as being plagued by ineffectiveness. These hold this back and really harm it overall.

Rated R: Graphic Violence and Graphic Language.

The film opens with the phrase "Based on a true event." It then flashes the year "2002" and that the military had captured a super natural entity. (Guess which one was the true event.) I was confused as to the location. The box claims it was the US military, but everyone in it is English. The film incorporates much of the poor video feed that is used in the "Paranormal" series.

Hayley Sands (Katherine Flynn) is the perky civilian ghost expect used by the British police to solve crimes. She is escorted by the military down 9 floors underground. Her room is akin to a cell. The entity is held behind a a single layer of chain link fence with some barbed wire on top and a big gaping hole. The commander doubts her ability to deal with the entity and entertains her because he must. She befriends Justin (Patrick Flynn) who doesn't doubt her.

The control that the entity has over individuals intensifies as the film progresses. At one point the vile creature has a British soldier singing in French! Eventually this thing gets loose (or else the movie would be real short and boring). The film goes about 2 minutes too long. It should have ended with Basketball Jones.

The movie is a fairly decent low budget "reality" paranormal movie which has become the new genre in horror. Glad to see these type of films employing real actors for a change. If you liked "The Thing" or the "Paranormal" stuff, you might want to take a peek.

F-bomb, C-word, sex talk, no nudity.

STORMHOUSE is a British sci-fi/horror outing that flirts with the found footage genre in its telling of a secret military project accidentally releasing a supernatural entity inside a research station. Said supernatural entity then goes on a rampage of destruction while a female researcher tries to figure out a way to stop it.

So far so good, you might think. And the potential for an interesting film is right here. However, it's the awful execution that really lets this movie down. I understand that the budget was very tight, but is that any reason to shoot a film in near total darkness throughout? Aside from a couple of well-lit interludes, this is one of the darkest films I've ever seen. And shaky camera-work and pitch black background is not a good combination. Trying to make out what's supposed to be on the screen is half of the challenge here.

The rest of the film is an odyssey of attempted scare scenes and mild gore effects. The cast was unknown to me but are quite adequate for this type of film. It's just a pity that the film is so dark and difficult to watch, as it could have been a BLAIR WITCH contender had more care been taken with the look and feel of it.