Story of a Cloistered Nun

1973 [ITALIAN]

Action / Drama

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Plot summary

Refusing an arranged marriage, young aristocrat Carmela is sent to a convent. Her arrival intensifies the power struggle between the debauched nun Elizabeth and the stern Mother Superior, as both are smitten by Carmela's beauty.

Top cast

Eleonora Morana as Contadina
Martine Brochard as Sister Lucia
Suzy Kendall as Mother Superior
Umberto Orsini as Don Diego
720p.BLU 1080p.BLU
901.43 MB
1280*690
Italian 2.0
NR
Subtitles us  
23.976 fps
1 hr 38 min
Seeds 2
1.63 GB
1920*1036
Italian 2.0
NR
Subtitles us  
23.976 fps
1 hr 38 min
Seeds 4

Movie Reviews

Reviewed by Milk_Tray_Guy 6 / 10

A little light on the sleaze - but a good watch

Italian nunsploitation set in Italy in the 1600s. A young noblewoman named Carmela, promised as a child in an arranged marriage, decides instead she wants to marry a lover of her choice. This brings huge disgrace on her family. The only solution is for them to have her forcibly admitted to a convent, as becoming a nun is the one socially acceptable reason for backing out of the deal. The convent (surprise) turns out to be a hotbed of drinking, partying, and same-sex relationships. Carmela's arrival creates increased tensions in an already strained relationship between the Mother Superior and a Sister Elisabeth, as both women take a romantic interest in the new arrival. She isn't interested in either of them in that way, and only wishes to escape and rejoin her lover so that they can wed.Despite sounding like the usual sleazy nun-fest, it actually isn't. There's some nudity, including one flogging; but the story has some substance and the characters are fleshed-out (no pun intended) to the point where you actually care about them. British actress (and giallo queen) Suzy Kendall gets to show her acting chops for once as the Mother Superior (a role that Joan Collins was to play, before she backed out), the late, beautiful Catherine Spaak is great as the scheming Sister Elisabeth, and the gorgeous Eleonora Giorgi (in her first lead role) makes an impression as the radiant Carmela. Some nunsploitation fans might find themselves feeling a bit let down it's not.. sleazier, and it's a tad slow at times with a few scenes feeling over-long; but it's certainly a change to see one of these that doesn't rely solely on T&A to draw an audience. 6.5/10.
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Reviewed by Bezenby 6 / 10

All nuns are gay, it says here

Honest love - my finger slipped when I was trying to click on the film 'violent bloodbath'. I didn't mean to click on Domenico Paolella's other 1973 nun film (which confusingly features stills from The Nun and The Devil in the opening credits).

Carmella is from a noble family and has forgotten that she was promised to marry a guy from another noble family when she cops off with a local soldier. Family enraged, the only thing they can do is throw her in a convent, where we can all rest easy knowing that she will be kept pure and sheltered from the outside world.

That's if she can avoid the advances of cruel mother superior Suzy Kendall (lesbian), Sister Elizabeth (lesbian), who appears nice at first and is also knocking boots with soldier Umberto Orisini, who gets his kicks hearing about all the lesbian (lesbian) activity at the convent, or the other two novices (lesbians).

Carmella has a hard time adjusting to convent life, and no wonder - it looks awful! When not grassing each other in for everything, the nuns make passes at each other, have affairs with the outside, and Carmella has Suzy Kendall crawling into her room every night while Sister Elizabeth takes her OUT of the room every night. Sounds like a bean-fest, right?

Wrong! Just like The Nun and The Devil, this isn't a sex filled exploitation film, rather than a serious commentary on the suppression of female sexuality in a brutal male society, and just like the previous film, this one looks gorgeous. It's also rather touching in a way, especially the last ten minutes of the film, where those expecting nuns in high heels actually end up with actual acting. Suzy Kendall, who usually just screams her way through a film (not her fault - they are usually gialli) do good here as the internally torn Mother Superior, who shows herself to be someone with hidden depths.

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