Submersion of Japan

1973 [JAPANESE]

Action / Drama / Sci-Fi / Thriller

4
IMDb Rating 5.5/10 10 565 565

based on novel or book natural disaster earthquake disaster tokusatsu

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Plot summary

A team of geophysicists investigating seismic activity on the seafloor discover that the islands of Japan, after suffering from massive volcanic eruptions and earthquakes, will be pulled into the ocean, killing millions.

Director

Shirô Moritani Photo
Shirô Moritani

Top cast

Isao Natsuyagi Photo
Isao Natsuyagi as Yuuki
Tsuyoshi Kusanagi Photo
Tsuyoshi Kusanagi as
Hiroshi Fujioka Photo
Hiroshi Fujioka as Onodera Toshio
Joe Dante Photo
Joe Dante as (US version)
720p.BLU 1080p.BLU
1.29 GB
1280*504
Japanese 2.0
NR
Subtitles
23.976 fps
2 hr 23 min
Seeds 1
2.65 GB
1872*736
Japanese 5.1
NR
Subtitles
23.976 fps
2 hr 23 min
Seeds ...

Movie Reviews

Reviewed by BrianDanaCamp

Not-so-epic disaster film about the sinking of Japan

This will be the first comment here that actually reviews the original 143-minute Japanese film, THE SUBMERSION OF JAPAN (1973) and not the shortened, recut 82-minute U.S. release version, TIDAL WAVE (1975). THE SUBMERSION OF JAPAN is based on a 1973 novel, "Japan Sinks," by Sakyo Komatsu, that posits a series of geological disturbances, described in great scientific detail, that cause the Japan archipelago to first be broken up and then, ultimately, completely submerged. In the novel, the eventual catastrophe is presaged by a series of quakes, volcanic eruptions, floods, etc. that alert the most forward-thinking members of the scientific community to the fate awaiting Japan. There are a few main characters, but the book never gets very close to any of them, preferring to flit back and forth between developments on a number of fronts, including the reactions of various foreign governments to pleas by Japan to take its refugees. The ostensible hero is Onodera, an expert at underwater exploration, and his love interest is Reiko, a sexy, somewhat impulsive rich girl looking for a husband. He doesn't really have much of a part (at least in the abridged English translation I read), while Reiko only has about two scenes. I watched an unsubtitled tape of the movie right after reading the book. The movie is incredibly talky. I would estimate that 90 percent of it consists of men sitting in cramped rooms talking. What I found especially frustrating is the lack of urgency. We see none of the smaller disturbances around the country that build up to the big disasters. We get virtually nothing until the 54-minute mark when an earthquake suddenly hits Tokyo and causes massive death and destruction. Within two minutes of its start we see Tokyo in flames and sensational shots of people trapped in burning cars and catching fire and being crushed by falling debris. No build-up. No sense of a chain of cause-and-effect. And then nothing for another 53 minutes. It's right back to the men in suits sitting in rooms, talking, talking, talking.The movie is also poorly shot, directed and edited. There doesn't seem to be any attention to production design. The visuals are invariably dull or ugly. Nothing looks right. When the Prime Minister has his first big meeting with scientists about the crisis, it takes place in a small conference room of the type you'd find in a public school or local government office. They seem to have shot wherever they could get quick access to an actual interior instead of actually building sets or seeking locations that looked good on film. I don't know whether they thought this would make it look realistic or semi-documentary or something, but it makes the whole enterprise look incredibly cheap. Also, there are very few establishing shots, so we almost never know where anything is taking place. Every time the scene changes, it's a cut from one cramped interior with one group of characters to another cramped interior with another group of characters that could be down the hall or a thousand miles away for all we know.While watching it, I kept thinking back to Ishiro Honda's films, most notably GODZILLA (1954) and RODAN (1957). Any one of his films looked far better, cinematically, and far more realistic in their depictions of disaster than this film did. Why didn't Toho hire Honda to direct this? He was, after all, the studio's in-house expert on the use of miniature sets in the destruction of Tokyo and would certainly have gotten a lot more mileage out of the miniatures used here than this director, Shiro Moritani, did. The one major star in the cast, Tetsuro Tanba (YOU ONLY LIVE TWICE, MESSAGE FROM SPACE), plays the Prime Minister, who becomes much more of a major character than he was in the book and is seen, uncharacteristically, yelling and carrying on at a high emotional pitch in several scenes. (Why does he yell at the top of his lungs over the phone at a helicopter pilot who is simply trying to report on the Tokyo fire and earthquake? Is that something a Prime Minister would do?) Also in the cast, in the role of Onodera, is Hiroshi Fujioka, better known to U.S. fans of Japanese fantasy as "Kamen Rider," from the TV series of that name. (He was also the star of the U.S.-made Samurai-in-ice thriller, GHOST WARRIOR, 1982.)I should point out that I've also seen Roger Corman's edited version of this film, TIDAL WAVE (1975), which I remember as being pretty awful. I used to harbor hard feelings toward Corman for the butchery he performed on the original film, but, having finally seen the original, I can't see any way this film could have been released, as is, in the U.S. It's just too long, slow, talky and cheap-looking.
Reviewed by r-c-s 6 / 10

docu-drama posing as blockbuster, or...?

first, I enjoyed this movie. Not that i'd watch it twice, but it was easily watchable and I find the harsh reviews quite unjustified. Of course I took this movie as a docu-drama of average craft, not a blockbuster and not the next Godzilla versus Mechagodzilla. The plot is very simple: vanity scientific expedition to ascertain why the private island of some big guy sunk in the ocean shortly reveals how the entire Japan is soon to follow the same sort. It gets the point across about urgency and the limits of "human brotherhood". Everything was quite realistic and to those who think the world would gladly accept tens of millions refugees, dream on boys (and rightfully so)...what if your neighborhood were the recipient? Cinematography is very average, SFX are poor & dated, but that adds to the "docu-drama" angle, reinforced by the many detailed scientific explanations. Acting, era&genre-wise is fair: no Oscar time, but not bunk, either.

Reviewed by timchuma 7 / 10

Not even manly 70s hair can save Japan!

For some reason I thought this was "Japan Sinks" the 2006 remake, no biggie. I even kept watching it although my copy had no English subtitles, you can still follow the story well enough.

Lots of explosions, people running around on fire, a great "oh my eye!" moment and scientists shouting at each other and and getting into fist fights.

I don't know why they didn't shove the manly 70s hair guy into the Japan Trench as it would have stopped all the trouble in the first place. It has to have been his hair that stopped him being killed all those times. His hair was tougher than he was as he couldn't even throw a punch.

Andrew Hughes steals the show as the Australian Prime Minister: "If we accept 5 million Japanese, they'll simply use our land and resources to build themselves another country."

Australia is the only country in the film not to accept some of the eventual 37 million refugees, they make a point of that for some reason, no idea why...

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