King Vladislav (Angus Scrimm) of Romania is a vampire, but a vampire of light who wants nothing more than to live in peace and harmony with mankind. But his son, Radu (Anders Hove), is a cruel creature to his very heart (which is pretty obvious as soon as you see him). Three lesbian students have come to study local folklore, but find themselves drawn into the vampires legends at just the wrong time: Vladislav has been killed.

Who can say anything bad about a film featuring a cameo from Angus Scrimm? Not me. I mean, I had some low expectations after seeing other Full Moon pictures ("Puppet Master" in particular, and "Demonic Toys"). But despite the really bad animated effects of the demons, this film was actually really well done and very fun to watch. Plenty of blood, a good plot and back story (the Bloodstone story was surprisingly refreshing) and even some new angles on the vampire mythos, which you would think would be dead by now. (Maybe I am wrong, but this is probably the first film to feature rosary beads being fired from a gun.)

Aside from vampires and blood, you get a share of nudity (gratuitous, but welcome) and I had to notice the excellent score from the composers (not sure who deserves credit, but those involved include Stuart Brotman, Richard Kosinski, William Levine, Michael Portis and John Zeretzka). This is Horror 101 all the way. Heck, you even get two sequels, which is the sign of a true horror film. (Of course, some bad films get sequels, too -- did I mention "Puppet Master"?)

The Romanian theme was well-done, and the film even seems to have been made by Romanians if I am guessing their name origins correctly. And the score -- the music -- really stood out for me as a nice change of pace, very mood-setting. I like Richard Band, but I am glad another composer was given a shot because he nailed the atmosphere on the head. If you like vampire films and want a slight variation (one of the Eastern European variety), this is worth seeing.

It's the classic story of good brother vs. bad brother as the vampire sons of old King Vlad - handsome, noble, boring Stefan and hideous, jealous, scheming, fascinating Radu - battle over the rights to their inheritance. At stake (sorry) are ancient Castle Vladislas, played to perfection by ancient Castle Hunedoara, and the family's prize, the mystic Bloodstone; a holy relic that drips the blood of saints. (What a unique invention! I wish the movie said more about its nature and history.) Into the middle of this gory sibling squabble wander the obligatory clueless bunch of cute American students, doing a research project on local folklore, and we're off to the races.

Has its weak spots, especially the awkward animation and matting-in of Radu's tiny demon servants, but its energy, enthusiasm and imaginative ideas - such as the "shadow transit" by which the vampires travel, and the reptilian relish of Anders Hove's performance as Radu - easily carry it over these gaps. Add in some gore and nudity for the high-school crowd, and the pleasure of seeing a vampire film actually shot in Romania and using its wonderful medieval locations so central to Western vampire lore, and you have a thoroughly capable and enjoyable little horror film. Those who appreciate bloody but clever small-scale horror such as Brian Yuzna's Lovecraft films should have no trouble adopting this one.

(If you enjoy my reviews, you can read more of them under my previous name - just plain "angelynx".)

Thank you Full Moon Pictures for restoring vileness to the vampire!

Anders Hove, as the villainous Radu, is the type of fiendish demonic monster that all vampires should be. Yet people today, thanks to genre rapists like Anne Rice, would rather watch vampires gallivanting about like a bunch of aristocratic Sallys.

The film centers around two college girls from America (Laura Tate and the curvaceous Michelle McBride) who visit their foreign exchange student friend from school (Irina Movila) in her native Romania. While there, the three appealing young women happen into a vampire feud. Radu has slain the father, a cameo by horror legend Angus Scrimm, thus acquiring the wrath of his good vampire brother Stefan(Michael Watson).

The only drawback to this film is the lowsy swordplay, but how can Anders Hove be expected to handle a sword with foot long fingers.

A vampire film done right, restoring the fiendishness to the vampire legend.

Take notes Anne Rice!!