Tutianna Huezo's "Tempested" (2016) is a haunting and gripping documentary that delves into the heart-wrenching world of Mexican trafficking rings, narrated through the eyes of the young girl Miriam. The film expertly weaves together the emotional landscape of Miriam's journey, connecting her personal story to the countless faces that silently suffer alongside her.

Huezo's cinematography is a masterpiece, using poignant shots and compelling visuals to illustrate Miriam's lonely homeward journey. The juxtaposition of random people on buses and landscapes scrolling by adds a layer of depth to Miriam's descriptions of her years-long ordeal, leaving a lasting impact on the audience.

What sets "Tempested" apart is its ability to transcend individual stories and highlight the collective struggle of those affected. Miriam's mother, Ardela, becomes a poignant symbol of resilience as she tirelessly searches for her child, bringing the 'inner struggle into the palpable realm of action, cause and effect, and movement.'

The film effectively captures the complexities of human trafficking, shedding light on a dark and often overlooked reality. The narrative is both heartbreaking and powerful, urging viewers to reflect on the profound impact of such criminal enterprises on the lives of those involved.

"Tempested" is not merely a documentary; it's a call to action, a plea for empathy and understanding. Huezo's storytelling prowess, combined with Miriam and Ardela's compelling narratives, makes this film an essential and eye-opening cinematic experience. Prepare to be moved, enlightened, and compelled to advocate for change after witnessing the raw truths exposed in "Tempested."

#TraffickingReality #HuezoFilm #PowerfulCinema #HumanRightsAwareness #EmotionalJourney #DocumentaryReview.

Tempestad is a poetic documentary by young director Tatiana Huezo, who comes from El Salvador, but lives and works in Mexico City. The film deals with the victims of innocent imprisonments in Mexico, pagadores(payers), who go to prison instead of real perpetrators like human traffickers. This is often covered by the media and supposed to calm the population. The movie, which was selected for 2016's Berlinale film festival, depicts what is behind all this show: real, suffering humans. Two women tell their stories. Their voices and a melancholic string score accompany the more or less re-enacted bus travel of young woman Miriam from the prison in the north of Mexico to her home in the south. This serves as the basic narrative structure. The images are poetic and often show compositions of rainy roads, looks through rained on windows and anonymous, young traveling women, who could all potentially become victims of these crimes. Many paramilitary police posts are crossed on the way. Once the bus is even searched by policemen. The base structure is only sometimes broken to show one of the women, Adele, and her work in a circus, which serves as sometimes comedic relaxation. Miriam herself is never shown.

I was strongly affected by the women's stories and the images were suggestive and beautifully shot. I especially liked the views of different towns, where Miriam stayed and of the other travelers and people along the stations. The film crew's re-enactment of the bus ride served as a great way to show the reality lived in Mexico and put viewers in Miriam's position, while listening to the individual stories of life in prison, torture and collaboration between police and narcos on the audio layer. But I would have liked more of this. The suggestive, poetic shots, which sometimes went into abstract compositions, prevailed a bit too much for my taste. Also, I found the film a little too long for the information told. Sadly, I think the movie's style will make it to be seen only by small, selected audiences. It is sad to know that a movie with such a politically charged content will probably not have a big impact. The situations depicted are becoming more and more everyday life in Mexico.

In summary, Tempestad is a beautiful, poetic documentary with some lengths. Viewers have to be open to get into it's flow.