Acceptable but overlong war comedy with screenplay by prestigious Paddy Chayefsky and being based on a novel written by William Bradford . It deals with an American naval Lt. Cmdr. Charles E. Madison (the role was originally offered to William Holden, while James Garner was considered for the part of "Bus" Cummmings played by James Coburn) , he has a talent for living the good life in wartime that is challenged when he falls in love and is sent on a dangerous mission . Meanwhile , he falls in love with an enticing Brit widow (Julie Andrews' only movie in black and white). But when his Admiral (Melvyn Douglas) suffers a nervous breakdown , it leads to Charlie being sent on a senseless and risked mission dealing with a master plan to have American naval soldier first Normandy with predictable results .

This cynical war comedy contains drama , humor , emotion and romance . Top-of the-range stellar cast who gives magnificent acting as James Garner who is splendid as a coward sponger who takes his life as smooth and risk-free as possible for himself ; Garner always says that this is his favorite of his movies and an attractive Julie Andrews who is frankly well . Very good support cast such as James Coburn as Lt. Cmdr. Paul 'Bus' Cummings , Edward Binns as Adm. Thomas , Keenan Wynn as Old Sailor , William Windom as Capt. Harry Spaulding and special mention to Melvyn Douglas as Adm. William Jessup .

This ironic picture was financed by producer Martin Ransohoff who removed director William Wyler from the picture as Wyler wanted to change Paddy Chayefsky's script. It was a rare instance in which a producer supported a screenwriter over a director, particularly one of Wyler's caliber. As Chayefsky was known to have guarantees written into his contracts protecting his scripts, Ransohoff may have had no choice but to replace Wyler with Arthur Hiller . Nice production design and art direction from George W Davis and Hans Peters , though several war images have been taken from stock shots , some scenes of the D-Day landing scenes were filmed on Mandalay Beach in Oxnard, California . Atmospheric as well as evocative Original Music by Johnny Mandel . Excellent Cinematography in black and white by Philip H. Lathrop though also shown and available in horrible colorized version .

The motion picture was well and professionally directed by Arthur Hiller . Arthur is a good craftsman who has directed all kind of genres as Romantic story : ¨Love story¨ , wartime : ¨Tobruk¨ , Drama : ¨Making love¨, ¨Author , Author¨ ; being his specialty comedy genre such as proved in ¨The out of towners¨, "See No Evil, Hear No Evil" , ¨Silver streak¨ , ¨Outrageous Fortune¨, or this ¨The Americanization of Emily¨ .

This film is being released on cable again here in the fall of 2002. I guess I hope some liberal Hollywood mogul is doing it on purpose, to give us, especially those of us in the US, another good dose of anti-war. The movie seems especially apt for me, for my countrymen, because it is both funny and serious, and, set in England, it gives a pretty good sense of what a people who know war think and feel about it.

I'm afraid I doubt that it's going to have much effect against the probably coming Iraq action, but I'd like to think it might have a bit.

Both James Garner and Julie Andrews do well in the film, and Melvyn Douglas is real good as an American ranking Naval officer who's sane about the "glories of war". The Brit who plays Julie Andrews mother, whose name I unhappily cannot remember, deserves strong mention, too, especially with her scene about the absurdity and stupidity of memorializing the first Allied death in the invasion at Normandy in WW II.

Masterfully scripted by Paddy Chayefsky, this 1964 anti-war film is not quite a classic but nonetheless an unexpected treat and one that deserves resurrection by a new generation of viewers. Set in WWII London, the dark hearted plot focuses on Navy Lieutenant Commander Charles Madison, an especially notorious personal assistant to the mentally unstable Admiral William Jessup. Madison's job is to make sure Jessup gets anything he wants, and he has a warehouse full of contraband to back him up. Smug in his self-awareness about his cowardice, he meets Emily Barham, an English war widow who has lost her father and brother as well as her husband to the war. She is repulsed by Madison's manipulative agenda and cavalier materialism, and he finds her priggish and self-righteous. Needless to say, they fall in love. Complicating matters is Jessup's hare-brained scheme to ensure the first casualty of the D-Day invasion on Omaha Beach be a naval man. Without a glimmer of irony recognized, the admiral assigns Madison and his colleague "Buzz" Cummings to find the appropriate sailor and film his heroic death.

The sheer audacity of this task is a hallmark of Chayefsky's vitriolic style, and the film is full of his brittle, observant dialogue and sharply articulate soliloquies. You need an actor of consummate charm and cunning to play Madison effectively, and Garner responds by turning in one of the best performances of his long career. He shows not only his deft comedic touch but also a piercing insight into the integrity that can come from an acknowledged lack of courage. Squeezed in between her twin juggernauts of sugar, "Mary Poppins" and "The Sound of Music", Julie Andrews gives an intelligent, passionate performance as Emily that actually eclipses her acting in either mega-hit. The movie's title comes from her character's resistance to what she sees as cheapening her values by becoming more American. Together, they not only spark romantically but also trade speeches of barbed cynicism making Chayefsky's words fly off the page with supple dexterity.

Screen stalwart Melvyn Douglas is a terrifically befuddled blowhard as Jessup, while an especially energetic James Coburn aggressively turns "Buzz" into a monomaniacal yes-man. Joyce Grenfell is superb in her few scenes as Emily's no-nonsense mother. For interested baby boomers, you can even see future "Laugh-In" regulars Alan Sues and Judy Carne in bit parts, as well as the late Sharon Tate. If there is a weakness to the film, it comes from Arthur Hiller's pedestrian direction making the film more episodic than it should. The 2005 DVD package has a sharp print of the film and includes Hiller's informative commentary on an alternate track. He is understandably proud of the film since his subsequent work ("Love Story", "Making Love") has not even come close to the quality of this production. There is also a short, "Action on the Beach", which shows how the realistic filming of the D-Day scene was executed. It would be interesting to see this film in a double bill with Steven Spielberg's "Saving Private Ryan" to get alternative perspectives on the same event.