The Blackout

1997

Drama / Mystery / Thriller

3
Rotten Tomatoes Audience - Spilled 53% · 500 ratings
IMDb Rating 5.4/10 10 3027 3K

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Plot summary

A debauched Hollywood movie actor tries to piece together one wild night in Miami years earlier which remains a drug-induced blur, and soon finds out that some questions about his past are best left unanswered.

Director

Top cast

Steven Bauer as Mickey's Studio Actor
Dennis Hopper as Mickey Wayne
Matthew Modine as Matty
720p.WEB 1080p.WEB
908.01 MB
960*720
English 2.0
NR
Subtitles us  fr  
29.97 fps
1 hr 38 min
Seeds 25
1.64 GB
1440*1080
English 2.0
NR
Subtitles us  fr  
29.97 fps
1 hr 38 min
Seeds 31

Movie Reviews

Reviewed by Quinoa1984 6 / 10

an emotionally charged, sorrowful drama caught in the crossfire of decadence and drug/alcohol fueled despair

Abel Ferrara sometimes befuddles me with his work. The Blackout especially seems like it's something out of a drug-induced dream. Perhaps this isn't always something to shy away from, especially in the name of 'art' or whatever. But in this case he's treading some ground he's already gone through, with some variations. Just a few years before he also made a tale of excess and a lonely emotional cripple (Bad Lieutenant) and a tale of the medium of film used to disparaging effect (Dangerous Game). This time a sort of weird fusion of the two happens, with a little more melodrama, about a Hollywood actor played by Matthew Modine who is an drunk and does his share and other shares of drugs, and is in love with a woman named Annie (Beatrice Dalle, oddly beautiful). But due to excess between the two, and a failed pregnancy, she splits, leaving Matty to his own devices, which is to do more drugs, more booze, wallow in depression with "video-film maker" Mickey Wayne (Hopper, perfect at the eccentric roles that define description). The difference between a film like Blackout and Bad Lieutenant is in how he treats catharsis. There's something intensely moving about what the Lieutenant goes through, how far he goes that he can somehow even try for redemption. In Blackout, Matty sobers up, gets a new girlfriend, and a year or so later keeps getting dreams of murder with his former love, and it drives him back to Miami and into the same alcohol-fueled despair. For some reason I wasn't as taken in with the character's struggle this time, despite the intense quality of Matthew Modine's performance. Most times he's very good, and only a few times he felt like he was play-acting at the role of a man running off the tracks of himself. I wanted his character to get resolution and to face his conflicts, but Ferrara's style gets in the way. Not so much that it's unwatchable, and it's never exactly boring. It's just... missing something a lot of the time.The Blackout has its moments. There's a real-raw quality to Dalle when she is on camera with Modine that is very effective. Hopper, again, takes a small role and amps up the perversity to a fever pitch, which makes a big climactic revelation with his Mickey to Matty all the more amazing and staggering to watch (complicit in his actions, sure, but not below him). But its own fever-nightmare quality, sometimes impressive and awesome in a Lynch-style, other times bogs the narrative in itself. It's not even so much pretentious as it is Ferrara indulging so much in this character's loss that we eventually lose sympathy for him. His goal for catharsis is admirable, though the depths of hell that he and the director sink to don't make it any easier.Is it under-appreciated? To an extent. I would say I was a fan of the film, up to a point. But there is a reason it feels like a minor work in Ferrara's cannon; he's done work like this before, better, stronger, with more of a visual focus. Then again, it may also be a film I'll want to return to in years time, to get in to the darker corridors of the character's downward spiral into himself. As a punishing character study, the effort's appreciated. 6.5/10
Reviewed by shmuelthefool 6 / 10

I lived "The Blackout"

Back in the hazy days of grip/electric life, I got a call to work as the BB Grip on my 2nd (and last) Abel Ferrara film - "The Blackout". I accepted the gig with one non-negotiable caveat - I would never be willing to enter what I term "the meat grinder" (defined as any space within 150 feet of the madman auteur). "The Blackout" IS Abel Ferrara....albeit a PG-13 version. In a sense, the experience of making the film was an act of performance art...art lived as actual "life" or perhaps life lived as a Bosch nightmare...on the one hand, it was genius; on the other, pure madness. What remains is a snippet of documentary into the soul of AF.
Reviewed by flimbuff 4 / 10

IRRITATING FAILURE

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