The Devil, Probably

1977 [FRENCH]

Action / Drama

5
Rotten Tomatoes Critics - Certified Fresh 85% · 20 reviews
Rotten Tomatoes Audience - Upright 78% · 500 ratings
IMDb Rating 7.1/10 10 5174 5.2K

paris, france lost youth paris apathetic pessimistic

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Plot summary

Charles drifts through politics, religion and psychoanalysis, rejecting them all. Once he realises the depth of his disgust with the moral and physical decline of the society he lives in, he decides that suicide is the only option...

720p.BLU 1080p.BLU
891.45 MB
986*720
French 2.0
NR
us  
23.976 fps
1 hr 37 min
Seeds 2
1.62 GB
1478*1080
French 2.0
NR
us  
23.976 fps
1 hr 37 min
Seeds 18

Movie Reviews

Reviewed by moviesknight 8 / 10

Free at last!

This is cinema. Still holds today. The longevity. If the new generation finds it today they will love it so much. My first film from Robert Bresson and it didnot dissapoint. Isee it as the metaphor to the societal fallout even though we seem to be going on and about just fine, but our society is woven on so small threads that it doesnot take a person to collapse. And collapse of one person is collapse of society. We find lot of temporary solutions and trying to find the thing we want, but when the disgust leaves, the fall is imminent. Loved the film. Perhaps the darker ending makes it better. He finally gets liberated at the end. That is something many people will not consider. While each and every character is still chained to the politics, religion and everything in between. Loved it. Only recommend this to my film mutuals.
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Reviewed by Amyth47 8 / 10

A powerful cry of despair and hopelessness.

My Rating : 8/10

With only a 14-film oeuvre, Bresson is undoubtably the most minimalist yet original filmmaker ever to have graced this planet. To me he is the embodiment of purity in all of cinema as his work harrows the soul much deeply than any other filmmaker. Using untrained actors and methodically sculpting their sense of surprise and spontaneity Bresson exploits the interiority of a human being (or animal in the case of 'Au Hasard Balthazar') to be transferred on camera and therefore reveal a flow of visual imagery of 'feeling' which he called 'cinematography' as that is what distinguished cinema from theatre and literature according to him.

Our intellect fools us but our feelings reveal the bitter truths of the world. So when Charles (the young protagonist) says he sees everything 'too clearly' it is because he feels too much and therefore unable to succumb to the industrialised automation around him.

Hopelessness, despair, existentialism - it is all here and it's only purpose is to invite the viewer on a journey of frustration because the frustration is an evolutionary achievement and therefore a necessity (at least according to me...and Bresson).

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