Great first half! So so Second half! Typical Milan Luthria movie, 80s setting, 80s music, people don't speak normally but in couplets. Vidya Balan outstanding, others mediocre. Naseeruddin Shah looks ugly but that's what the movie demands from him. The movie starts well with a young girl who is fascinated by movies and glamor. She runs away from her move a day before she is getting married. Turns up in Madras and tries to get to act in movies. She stands in queue for junior artists outside studios without luck. Then one day she gets a chance to finally do a song which no one else is willing to. And from there her career looks like taking off. But a minor setback almost forces her to go back. But not to be and she becomes 'Silk'. Vidya Balan as silk has done great work and the movie is all about her. 3.5/5

Director Milan Luthria and script writer Rajat Arora are back with another realistic movie. Once Upon A Time In Mumbai duo's latest film The Dirty Picture is another bold attempt. The movie is daring and provocative, yet it keeps distance from vulgarism and offensiveness.

The Dirty Picture is a biopic on the life of the South sex symbol Silk Smitha. Actress Vidya Balan's bold performance is the major attraction in the movie. Vishal-Shekhar's music, Rajat Arora's dynamic script and sharp dialogues, Bobby Singh's cinematography, Pony Prakash Raj's choreography and beautiful art works and costumes are the other attractions of the film.

The movie is set against the colourful and entertaining setting of the South film industry of the 80s. It revolves around a girl's journey from a makeup artiste to a sex goddess. She battles fame, fortune and alcohol. The Dirty Picture does not focus on the sleaze, but the tragic story of the sex siren, who provided titillation to thousands of viewers, but died a lonely and tragic death.

The first credit of the movie goes to Rajat Arora who has written a wonderful screenplay and power-packed dialogues. Secondly, it is Milan Luthria, who has wonderfully executed them on screen. The narration of the movie is so interesting that it will not let the viewers rest even for a single second. In the second half, Emraan-Vidya sequences slow down the pace, but soon the narration picks up pace dramatically. Of all what strikes one's mind is the recreation of the era 1980s.

Vidya Balan has a role that she has never played before and she has delivered a brilliant performance. She surely wins the heart of the movie goers with her confident act in sizzling show and dare-bare sequences. As an ageing South Indian superstar, Naseeruddin Shah reminds us of the 1980s stars and his acts surely provoke claps, laughs and whistles among the viewers. Emraan Hashmi and Tusshar have also got totally new role. As a headstrong director, Emraan has delivered a bold act, while Tusshar appears fantastic in his role. Others like Anju Mahendru, Rajesh Sharma, Shivani Tanskale, Mangal Kenkre and Imran Hasnee have also done justice to their respective roles.

The Dirty Picture has a rich production values and Vishal-Shekhar's music is the major attraction in the technical front. Their compositions like 'Ooo La La', 'Ishq Sufiyana' are 'Honeymoon Ki Raat' are the pick of everyone. Pony Prakash Raj's choreography and Bobby Singh's cinematography are excellent in these songs. Akiv Ali's editing is also commendable.

Overall, The Dirty Picture is a right blend of wonderful script, amazing direction and bold performance from the lead actors. The movie has a universal theme and mass appealing story. This movie is a good entertainer.

I suppose it's not easy trying to make a bio-pic about a controversial actress that calls for some parading of skin due to various states of undress. In Singapore, the Rose Chan project has been stalled from its initial announcement, with one of the close contenders for the role dropping out and to date leaving the project quite in limbo. In what would is a generally conservative society, you can imagine the challenges faced by director Milan Luthria (of Once Upon a Time in Mumbaai fame) in making The Dirty Picture, a largely fictionalized biography film about one of the sex sirens of Indian Cinema known as Silk Smitha, who had made a staggering 450 films over a career spanning 17 years before her untimely demise at age 35.

The Dirty Picture chronicles the life and times of Silk Smitha (played by Vidya Balan) as seen through the eyes of her one time enemy and art-house film director Abraham (Emraan Hashmi), her less than successful love life with directors and screenwriters, and in her desperation, willing to do just about anything for that shot at stardom, in an industry where fame is reserved only for a few, and chauvinistic too. In this version of her life written by Rajat Arora, Silk Smitha adopts her namesake thanks to a producer who sees the opportunity to set box office alight when he chanced upon the unused item number in Abraham's film, and from sultry dance numbers one after another, her role in films begin to expand, and so does her notoriety amongst the gossip rags, playing up her sex siren role to strata-strophic heights. I suppose you know when you're a star when audiences pay full ticket prices only to enter the hall to watch your item number, and leave soon after it ends.

My interest got piqued not only that this is a story of the rise and fall of a sex siren in a film industry, or the controversial scandals that go on behind the scenes, but truly stem from getting another chance to peek into how the industry might have worked previously in the 80s, in South Indian cinema. Om Shanti Om provided that glimpse into the 60s era, though this one offered a look at both mainstream and the adult based industry, although the latter was a little too short to make an impact in this film. The star system is obviously in full swing here where everything a superstar does get praised and sucked up to, and the reverse where junior artistes get the flak for everything else is the norm. Favours are exchanged for opportunities, and soon Silk becomes the mistress of megastar Suryakant (Naseeruddin Shah) who carries out their affair on set behind the back of his wife.

Director Milan Luthria crafted a very charming film that doesn't border on the exploitative, even though the film's main subject matter is precisely that, presenting just how cutthroat the film industry is, where enemies can become friends and vice versa, and just how fame is such a fleeting issue one can get forgotten fairly easily and fade away just as fast as one enters the scene with a big bang. There's an excellent balance in drama, comedy and of course the need to highlight just how far Silk dares to go against industry norms and shock and awe audiences and crew with her boldness, and the pace is kept to a breeze, forgoing most of Silk's earlier, non-acting life to kickstart where it started to matter.

And clearly the star of the show is the heroine, Vidya Balan, as she takes on what would be her most challenging role to date, making herself believable as a sex siren with no qualms in dressing to the nines in figure hugging outfits, piling on the kilos to look the part of the South Indian actress, and spouting lines of dialogue filled with endless sexual innuendos, not to forget constantly giving that come hither look. In some way Luthria managed to steer clear of being vulgar, and his Silk came across as more sensual and seductive, rather than downright crass, giving you reason to believe just why hundreds of thousands worship the new female film idol who's taking the industry by storm. Balan deserves every single accolade that will come due to this role, as she provides both that steely exterior that defies the odds, and that vulnerable interior self who is out of luck when it comes to matters of the heart, making you sympathize with Silk every step of the way.

Naseeruddin Shah also excelled as the prima-donna superstar actor Suryakant, a Casanova of the industry who soon establishes an affair with the actress, and is every much the cad he is made out to be. Having co-starred with Balan in an earlier film last year in the acclaimed Ishqiya, they continue to share that chemistry on screen here, with Shah in top form as he hams it up in his role as the pampered acting star able to call on every whim and fancy. Tusshar Kapoor stars as his screen writing brother Ramukant who takes over the romantic male lead midway when he romances Silk, and Emraan Hashmi's uncompromising art-house director Abraham assumes the role of the enemy of the heroine inevitably turned friend and eventual lover, whose story arc resonates the constant struggle between a director's vision, to that of the producer's in wanting to guarantee box office returns.

With superb acting, magical musical numbers, a strong narrative storyline and a look into the exploitative films of the 80s era, The Dirty Picture plays on its much preached about mantra of entertainment, entertainment and entertainment, delivering what it had promised, and at the same time making it thought provocative, teasing you to find out a lot more of the real Silk Smitha and the films and era that she had crafted in her heyday. Definitely highly recommended!