To call "Dragon from Russia" a better movie than the Christopher Ganz version of "Crying Freeman" is simply wrong! Christopher Ganz's version is a real masterpiece and certainly compared to this crap! They changed quite a bit in the story from the manga: 1. the main character isn't a Japanese potter as it should be 2. the woman he has to kill isn't an artist but a dancer 3. the woman he has to kill is a lover from the main character's past before he became the crying freeman 4. they don't show that the main character is hypnotized. In this movie he just doesn't remember his past,how convenient! 5. dragon from Russia, the main character suppose to be Japanese,duhhh! 6. the "108 dragons" are a serious cult of assassins who put the fear in god of their enemies! In here the members and the leader are a bunch of fools who betray each other every chance they get! All of this could have been ignored if the action was top notch! There certainly is a lot of action! The problem is that with exception of a few action scenes the action isn't that special! The martial arts is average and too much wirefu which in this case is annoying! I really wanted to like this movie,but I can't it is just too bad!

I saw this ages ago on television during the mid 90's. Recorded it even on VHS. No doubt the western adaption is more faithful in tone and in spirit than this one here. This movie on the other hand is too messy and the tone is all over the place. It's bothersome that the majority of the movie tries to be a comedy, and it certainly doesn't help that the comedy consists only of dirty jokes and innuendos.

What makes this such a messy affair is that the editing is atrocious. It feels like several reels or insert shots went missing during production. There are really important moments, that feel rushed as if parts were not filmed. For example Maggie Cheungs character sees her ex-boyfriend as the killer in front of a hotel for the first time. A close up of her face or reaction is totally absent, the movie does that a lot. It never takes time to ponder those important moments or let them breathe. On the bright side though is that the action choreography is well done. Don't get me wrong it suffers also from chaotic editing and the abrupt ending of things, but it is undoubtedly better than the western version which was more focused on aesthetics. Yes this film does have quite a lot of wire-fu, people forget it was done during the height of wire-fu era. But it's not the main issue here. I wish the movie had invested more time in the heartwarming moments like the new year's eve scene or the bonding of the family in the beginning, it would have cemented some of it's drama. As it is now, it is very light-hearted with a main focus on constant action. Enjoyable for HK action fans, but regular viewers or fans of the manga might get bored because of a missing story to engage with.

Mark Dacascos was the actor who played the role of the masked assassin who sheds tears each time he kills a victim in the American version of this story, entitled CRYING FREEMAN and released in 1995. I mildly liked that film when I saw it; sure, it was no classic, it was a little cheesy, but it passed the time in a fairly entertaining fashion. Sad, then, that this earlier, Hong Kong-made outing, based on the same manga, turns out to be a bit of a dud and a lot worse than the Hollywood attempt.

The main problem I have with this movie is that which blights much of the Hong Kong action industry during the 1990s: the overuse of wirework. Why have two characters battling mano-a-mano when you can have them flying and flipping through the air and performing all manner of physically impossible stunts? Er, well realism is a good reason actually, but realism goes out of the window in DRAGON FROM Russia.

For an action-packed movie like this, it's a real shame that most of the fights are so over the top as to be laughable. Don't get me wrong, there are some occasionally solid moments, usually when things calm down a bit or are based on a smaller scale, like a kinetic bout at a train station that progresses into a moving train. In addition, the storyline is extremely muddled, taking about half the running time before things really get moving. These factors combine to make this a difficult watch.

Along the way, there's a lot of laboured comedy relief which sits at odds with the supposedly emotive central plot, a strange, rubber-faced bad guy (played by Yuen Tak, one of the seven Yuens along with Jackie, Yuen Biao, Sammo and Yuen Wah, who also has a non-masked supporting role), an extremely slow spot during the middle section where absolutely nothing happens, some lame romance, an entirely extraneous Maggie Cheung (as per usual) and a few nicely-staged assassinations. Sadly, the ending fizzles rather than goes out with a bang, and the whole thing is so convoluted that it's impossible to take seriously. In this instance, I'll take the American version over the Chinese, I think