The Forest of Love

2019 [JAPANESE]

Crime / Drama / Horror / Thriller

2
Rotten Tomatoes Critics - Certified Fresh 100% · 11 reviews
Rotten Tomatoes Audience - Spilled 57% · 50 ratings
IMDb Rating 6.3/10 10 3038 3K

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Plot summary

A con man and a would-be filmmaking crew force themselves into the lives of two grief-scarred young women. But nothing is as it seems.


Uploaded by: FREEMAN
September 30, 2023 at 01:14 AM

Director

Top cast

Michelle Fang as Mitsuko
Earl Baylon as Gotu
Halley Kim as Eiko
720p.WEB 1080p.WEB
1.36 GB
1280*674
Japanese 2.0
NR
ar  cz  dk  de  gr  us  es  fi  fr  il  hu  id  it  kr  no  nl  pl  pt  ro  ru  sv  th  tr  vi  cn  ja  
23.976 fps
2 hr 31 min
Seeds 2
2.8 GB
1920*1012
Japanese 5.1
NR
ar  cz  dk  de  gr  us  es  fi  fr  il  hu  id  it  kr  no  nl  pl  pt  ro  ru  sv  th  tr  vi  cn  ja  
23.976 fps
2 hr 31 min
Seeds 7

Movie Reviews

Reviewed by s-mmaneage 7 / 10

Not for the Faint of Heart

In certain ways this film reminds me of Bong Joon Ho's "Parasite"....except "The Forest of Love" is that film on acid and punk rock.

The two films share a heavy social critique of their respective societies...both with a mixture of black comedy and drama. However, where Parasite feels more restrained and refined this film is pedal to the metal excess...almost 3 whole hours of increasing amounts of sex and violence. The pace of the story and characters is hilariously illogical (on purpose) at times...while their plot is both heartbreaking and despicable. The most important part for me was that for every moment in which I wondered "duuude (and duudeettes) what am I watching?" I wanted to keep watching until the end. To paraphrase another reviewer...it's not perfect...but it's certainly not forgettable.

I haven't seen any of this director's other films, but it's clear he had a distinct style for this film that I have never seen before . The insanity is very well executed. In lesser hands a film like this would have fallen completely apart. It's a very unique film that I'd encourage people who like movies to watch. However, it's definitely not for kids or someone who may be having suicidal thoughts.

Reviewed by / 10

Reviewed by truemythmedia 7 / 10

It's Sion Sono's World, We're Just Living In It.

Sion Sono is a director whom I respect immensely. Much like Takashi Miike, Sono is incredibly prolific, and his films, even when they aren't great, are always incredibly entertaining. Both Sono and Miike's films run the gamut as far as genre- they flit back and forth easily from mystery/thrillers (Sono- "Suicide Club", Miike- "Ichi the Killer") to sci-fi (Sono- "Tag", Miike- "As the Gods Will") to horror (Sono- "Cold Fish", Miike- "Audition") to comedy (Sono- "Love, Exposure", Miike- "The Happiness of the Katakuris") and every genre in between. While I really enjoy films from both directors, recently, it's been Sono's work that I've been most drawn to. Sono's films are bizarre, violent, and sometimes hilarious dips into cinema, and every time I watch one of his films I honestly can't predict what will happen next.

"The Forest of Love" is based on a (somewhat) true story. I say somewhat because the events that are depicted in this film did happen, but not in the totally bonkers way they are portrayed here. Sono stylizes his violence as much as Tarantino does in "Kill Bill Vol 1", and while there might not as high of a body count, the amount of gore that Sono gleefully throws at the viewer makes it difficult to think of the victims as... well, victims. The way Sono kills people off in this film feels as if it would be far more at home in a Dario Argento giallo film ("Deep Red" or "Tenebre") than it does in a biopic about a cult of personality gone awry. I had to keep reminding myself that these were real people, and some of the events they went through were incredibly disturbing. In a way, it's weird to watch this film when it clearly finds joy in depicting some of the more graphic details of this murder spree. Usually, films that depict horrific events like this do so with a bit of reverence for the victims, and this film is anything but reverent, and that tone takes a bit of getting used to.

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