Between masterworks such as "All Quiet on the Western Front" (1930) and "The Strange Love of Martha Ivers" (1945) the Moldovan born Lewis Milestone had a mixed career. He made a bunch of good movies, a bunch of bad ones, and several bunches of films that have just been forgotten. Somewhere in here we also encounter "The General Died at Dawn" (1936), an interesting adventure film set in China. The film features the first screenplay by Clifford Odets, then one of the hottest playwrights around. Even though the film boasts a charismatic ensemble of actors, it often feels like the real star here is the screenplay.

The movies opens very strong. We are introduced to the plight of the poor Chinese, who struggle against a ruthless warlord General Yang, played by Akim Tamiroff in an Oscar-nominated role. Gary Cooper is our idealist hero, a guy who could never catch an even break, and is now trying to give the Chinese one. Coop is something of a spy, carrying important money shipment to the people fighting Yang, but unfortunately Yang has his own spies and is very much on to him...

I would go as far as to call the first half an hour (or so) of this film a masterpiece. Coop is introduced wonderfully, he has a monkey named Sam as a sidekick, and the whole train sequence, featuring the female lead Madeleine Carroll, and eventually Tamiroff as Yang, is wonderfully written. The suspense of the narrative feels real, but the screenplay also has time to be witty and funny. Cooper gets great lines, and throws a few unexpected (yet so enjoyable) punches around as well. I laughed a bunch and was rooting for the hero, rooting for the film really.

Unfortunately after the first third of the film, the narrative takes several missteps. All the important characters go their different ways for too long of a period, and by the time they are all in the same space again, the film has lost its momentum. The ending is not bad, but it is nothing breathtaking either. The film also runs into some trouble, when it can't quite decide, how it wants to portray General Yang and his men.

Still, I would very much recommend this to fans of classic Hollywood. Cooper gets a really good role as our hero, and Tamiroff is very memorable as Yang. Tamiroff was originally Armenian, so in Hollywood-land, that will have to pass as Chinese. I do, however, seriously wish they hadn't turned poor Dudley Digges into Mr. Wu. That was a bit cringe-worthy.

"The General Died at Dawn" features Gary Cooper in a role similar to the one he played in "For Whom the Bell Tolls" a couple of years later. Directed by Lewis Milestone the movie is visually stunning and exciting. Madeleine Carroll (fresh from her success in Hitchcock's "The 39 Steps")is very good as Cooper's love interest.Akim Tamiroff was nominated for an Oscar as the General.He's certainly a menacing figure here.But I think Philip Ahn as his second in command delivers the best performance.What subtle fanaticism he conveys.The movie is full of interesting twists in the storyline and except for the ending,which I found a bit silly,it is a solid movie.

Made the same year as DESIRE, THE GENERAL DIED AT DAWN is closer to the norm of Gary Cooper's film image. Rather than the charm and humor of Borzage and Lubitsch's film, Lewis Milestone's movie concentrated on the straight and honest decent American that Coop played in westerns and adventure films.

Here he is on a mission to buy weapons for the peasantry fighting one of the warlords who overran China between 1911 and 1931, when Japanese aggression became a centralizing force in uniting Chinese (except for Kuomintang v. Communists for awhile longer). The General here is Wang (Akim Tamiroff, at his most subtly threatening). He is aware that there is a scheme to arm his enemies, and he is making all efforts to scotch it by kidnapping the gun dealer (William Frawley - as said elsewhere on this thread in a performance that unfortunately mirrors his frequently mean drunk self), and finding the man who is trying to buy the weapons.

Cooper shows early his "boy scout" honor by illustrating (to Russell Hicks, a glib, cynical traveler) what Wang's rule means to the peasants. He asks for a match, and Hicks says he hasn't any. Cooper knocks him down, and calmly asks for the match again. A furious Hicks repeats he said he has no matches. Cooper says he understands that, but what he just did to Hicks about matches is exactly what Wang does to the peasants for food, possessions, whatever he wants, and he treats them far worse than just knocking them down if they refuse him.

Madeleine Carroll is the anti-heroine, the daughter of Porter Hall (a year away from killing Cooper as Jack McCall in THE PLAINSMAN). As sneaky as ever he encourages her to help preoccupy Cooper while Hall gets the money from him. Cooper does realize (slightly late) what's going on, and he does confront Carroll (who is not happy at her actions). Eventually there is a confrontation with Hall as well - which ends badly.

Hall is not the worst figure in the film. Besides Tamiroff and Frawley there is also J.M.Kerrigan as "Leach" (an apt name), who is a blackmailing scoundrel only out for his own benefit. Like the other villains in the film he does a first rate job. So does Dudley Digges as Mr. Wu, the restaurant owner who is also the contact man for Cooper when he is supposed to get Frawley's weapons. Notice his comment about the pleasure of a particular Chinese dish. Also notice (briefly) the appearance of John O'Hara, the novelist, as a reporter early in the film. He is closer to "Samara" than to "Gibbsville" in this movie.

The film's threads all come together in a mass confrontation on Wang's junk. The conclusion is one that only makes sense if you realize what an egomaniac Tamiroff's character really is.

I like this adventure film, which is a worthy continuation of the story of China's fragmentation in those years to Von Sternberg's SHANGHAI EXPRESS. Definitely a film to watch and enjoy.