The Guard from Underground

1992 [JAPANESE]

Crime / Drama / Horror / Thriller

3
Rotten Tomatoes Critics - Rotten 18% · 1 reviews
Rotten Tomatoes Audience - Spilled 18% · 50 ratings
IMDb Rating 5.7/10 10 588 588

murderer security guard

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Plot summary

A former sumo wrestler, now working as a security guard, goes on a murderous rampage.

Director

Kiyoshi Kurosawa Photo
Kiyoshi Kurosawa

Top cast

Ren Ôsugi Photo
Ren Ôsugi as Kôichi Kurume
Yutaka Matsushige Photo
Yutaka Matsushige as Fujimaru, Security Guard
Takashi Naitô Photo
Takashi Naitô as Shirai, Security Guard
Tarô Suwa Photo
Tarô Suwa as Minoru Yoshioka
720p.BLU 1080p.BLU
886.71 MB
1280*690
Japanese 2.0
NR
23.976 fps
1 hr 36 min
Seeds ...
1.61 GB
1920*1036
Japanese 2.0
NR
23.976 fps
1 hr 36 min
Seeds 9

Movie Reviews

Reviewed by kasserine 7 / 10

Nice Illustration of Kurosawa's Emerging Style

Kiyoshi Kurosawa was blacklisted for four years by the Japanese film industry powers that be after turning in a film that was intended to be a nudie sex romp, but conveniently left out the nudie sex. The producers were not pleased.THE GUARD FROM THE UNDERGROUND was his first venture on return from his exile. I've read that "GUARD" is Kurosawa's homage to early 80s American slasher films. I think this does the director, who also wrote the film, a disservice. I think saying "GUARD" is merely an homage neglects a great deal of Kurosawa's unique style and talent that is evident throughout the film. He manages to take a fairly straightforward story; a killer on the loose in a building filled with trapped employees, and makes it stylistically interesting. There is humor, some social commentary, and more then one intriguing death scene.I know I'm reading more into the film then is probably there, but "GUARD" seems to touch on the styles of many films and genres. With the protagonist being trapped in an unfamiliar environment with a menacing hulking man stalking the halls, I was reminded of the old Universal horror films, most notably, FRANKENSTEIN. I think pushed a little further, and if shot in black and white, "GUARD" would have made a unique homage to that film period. Also, I thought of Dario Argento when the slow moving killer would make his appearances. Like Argento, Kurosawa is slow to reveal the face of the killer, even though his identity had been established early on. There are also many close ups of hands and shoes as the stalking menace makes his way to each victim. Unlike Argento, however, there is relatively little graphic violence and most of the killings involve the thuggish creature clubbing his victims to death. An exception to this is a unique scene involving a locker. I thought it was inventive so I won't reveal the exact nature of how the locker is used so as to not spoil it.I think fans of Kurosawa will appreciate GUARD and enjoy seeing some of his earlier more mainstream work. The film shows indications of a style he would expand upon in his later projects. Non-Kurosawa fans might find GUARD a little slow paced and might enjoy some of his later work, like PULSE, as a good starting point, or the exceedingly brilliant CURE.Kurosawa is one of those rare directors who always seems to present something interesting in his films no matter what the genre or subject. THE GUARD FROM THE UNDERGROUND, while not one of his best, is certainly another example of what a talented director can achieve with a fairly simple storyline.
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Reviewed by meteoraxv 9 / 10

A real Japanese B-movie

The female main character, Akiko, works in a corporation for a Department 12 that apparently doesn't officially exists. She's a newcomer to the company, an art historian it seems. The story takes place in the building where Akiko is working. The building, even though there are people working there just like in any other company, has a very empty and desolate feel to it, which really sets the mood.

She is stalked by an huge-murderer-sumo-wrestler-declared-insane, working as the new security guard in the same building on the same day as Akiko.

The whole Department 12 thing is a funny affair. The newly formed Department itself is not really recognized as an official department of the company. The people that work there don't really seem to...belong the company. Neither do the head security guard and the new recruit.

Nothing really exciting happens until halfway into the movie. Until then it's mostly chilling suspense. The last 25 minutes or so really remind me of the ending in Night of the Demon (1980), albeit more stretched out of course. There's a scene with a locker that was so brutal and original I had to watch it twice. And I don't do that often. That scene was easily THE best scene in the movie.

A real Japanese B-movie. I loved the cheap, low-budget feel and atmosphere. The camera angles were just how I like them. The suspense was great. Soundtrack is just right. It's a cheap flick, but I happen to like a good ol' cheap flick as much as (and sometimes more than) high-budget films.

As a (huge) bonus, the girl playing Akiko was very cute. 9*

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