The Infernal Trio

1974 [FRENCH]

Comedy / Crime / Horror

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Plot summary

Marseilles, 1919. Georges Sarret is a distinguished and respected lawyer, recently honoured for his services in the First World War. He takes as his lover Philomène Schmidt, a young German woman, who has just lost her job and home. To enable Philomène to remain in France, Georges finds her a husband – who dies conveniently of natural causes a month after the wedding. Georges repeats the trick with Philomène's sister, Catherine – marrying her off to an old man who dies suddenly so that the scheming trio can profit from his life insurance. When an accomplice in the scheme, Marcel Chambon, threatens to blackmail them, Georges and his two lovers have no option but to kill him and his mistress...

Director

Top cast

Romy Schneider as Philomena Schmidt
Michel Piccoli as Georges Sarret
Mascha Gonska as Catherine Schmidt
Jean Rigaux as Villette
720p.BLU 1080p.BLU
962.81 MB
1194*720
French 2.0
NR
Subtitles us  
24 fps
1 hr 44 min
Seeds 4
1.75 GB
1790*1080
French 2.0
NR
Subtitles us  
24 fps
1 hr 44 min
Seeds 5

Movie Reviews

Reviewed by dbdumonteil

The discreet harm of the bourgeoisie.

There was an outcry when "le trio infernal" was released in 1974;the subject was nefarious.Sometimes recalling Leonard Kastle's incomparable "the honeymoon killers"(1969),it depicted the crimes of a Lawyer(Piccoli),his lover (Schneider),and the lover's young sister. Most horrible scene:to get rid of one of their victims' dead body,they dissolve it in sulphuric acid!The director insists on "preparations".We attend the whole thing,the director goes as far as showing the "heroes",emptying the bath tub with pails ,a gas mask on the face.Enough was enough for the 1974 audience.The worst was Romy Schneider's presence.For a lot of people,she remained the lovely empress Sissi,all smile.She had actually showed this character's darker side in Visconti's "Ludwig II"(1973).The audience could accept her politically correct Sautet efforts-"les choses de la vie"1969,"César et Rosalie",1972)or the academic Granier-Deferre's "le train" (1972),but her portrayal of an abject woman playing with trash was too much for them.A gruesome farce,it's also a caricature of a selfish society,with its religion the money Goddess.Retro style adds to the harm(sorry,charm)of this bourgeois wholesale massacre .
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Reviewed by brogmiller 7 / 10

The acid test.

This adaptation of the novel by Solange Fasquelle marks the directorial debut of Francis Girod. Every director obviously hopes that his or her first film will make some sort of impact and this grim and grisly slice of Guignol certainly had the desired effect although perhaps for the wrong reasons.

Georges-Alexandre Sarret, whose method of disposing of his victims' corpses inspired England's very own 'acid bath murderer' John George Haigh, met Madame la Guillotine in 1934 whilst the two Bavarian sisters who were his lovers/accomplices were each sentenced to ten years imprisonment.

Michel Piccoli and Romy Schneider who had earlier appeared together in Sautet's 'Les Choses de la Vie', play Sarret and Philomena Schmidt whilst Mascha Gonska is Catherine Schmidt, the third member of this utterly depraved ménage a trois.

It must be said that it is only the stylish performances and personalities of these three that make this gruesome opus bearable and enable this viewer at any rate to endure the detailed and lengthy 'acid bath' sequence during which the liquified remains of two bodies are ladled into buckets for disposal in the garden. There would have been very few well-known actresses who would have taken a role which required being stripped down to their birthday suit on the bathroom floor and one must salute the courage of Andréa Ferréol.

Audiences would not have been at all surprised to see the talented Michel Piccoli in this role as he is at his most effective when portraying what one critic has called 'a sinister eroticism' but Schneider devotees were genuinely shocked to see her as a nymphomaniacal murderess. She is in her mid-thirties here and is absolutely brilliant in what she intended to be an image-changing part.

As is customary in film versions there have been a few tweaks for dramatic purposes not least in the fate of guilt-consumed Catherine who is beautifully played by Mascha Gonska. The trial and execution of Sarret have been omitted here and the film ends with his marriage to Philomena, which one can only imagine would be a fate worse than death!

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