The Last Circus

2010 [SPANISH]

Action / Adventure / Comedy / Crime / Drama / Horror / Thriller / War

11
Rotten Tomatoes Critics - Certified Fresh 76% · 34 reviews
Rotten Tomatoes Audience - Upright 64% · 5K ratings
IMDb Rating 6.5/10 10 15694 15.7K

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Plot summary

A trapeze artist must decide between her lust for Sergio, the Happy Clown, or her affection for Javier, the Sad Clown, both of whom are deeply disturbed.

Top cast

Javier Botet as Preso enloquecido
Santiago Segura as Padre-Payaso tonto
Raúl Arévalo as Carlos
Carlos Areces as Javier
720p.BLU 1080p.BLU
967.76 MB
1280*544
Spanish 2.0
NR
23.976 fps
1 hr 45 min
Seeds 5
1.94 GB
1920*816
Spanish 5.1
NR
23.976 fps
1 hr 45 min
Seeds 11

Movie Reviews

Reviewed by ma-cortes 7 / 10

Outrageous film with odd characters , surreal imagery and twisted plot

Alex De la Iglesia is an excellent Spanish director . He had much success as "Accion Mutante" , " El Dia De la Bestia" , "Perlita Durango" and ¨La Comunidad¨ , among others . De la Iglesia is back with a tragical comedy about two Spanish clowns of the 70s . Here deals with a homage to dark humor and Spanish history from the Civil War until the 7os . In the film there are comedy, tongue in cheek, humor, horror, action, drama and is pretty entertaining . It's an exaggerated drama/comedy giving the perfect tone through the entire film , you can either follow it or just wander about the ridiculousness of every single minute . Some may regard this kind of dramatic comedy dull or dumb , but the truth is its the most simple, minimalistic, rawest, and pretentious comedy you will ever watch . As the shy Javier (Carlos Areces) and the violent Sergio (Antonio De La Torre) are two clowns who reach the heights of success with their circus show , but eerie events and an acrobat woman (Carolina Bang , partner is director Alex De Iglesia) turning them into deadly enemies . However, the hate between them grows as fast, and as much, as their horrible faces . The picture blends thrills , suspense, tension as well as an intriguing script full of dark comedy , drama and exciting situations . Packed with scenes of absurd nature, this story is a fantastic farce, as we follow the ridiculous careers of a pair of clowns whose destination is dictated by a fateful love , rather than by their own decisions . The film works on various levels and is constantly reconfigured , however contains some embarrassing , contriving moments and also certain excess . Strong performance from three protagonists , Areces , Bang , De La Torre and excellent plethora of secondaries as Manuel Tejada , Gracia Olayo , Enrique Villen , Manuel Tallafe , all of them usual actors in ¨Pluton BRB Nero¨ series produced by Alex De Iglesia . Interesting screenplay Alex De La Iglesia who usually writes his films and bears remarkable resemblance to ¨Dying of laughter¨ or ¨Muertos de Risa¨ also with two comedians -Gran Wyoming and Santiago Segura , Alex's fetish actor- who reach the heights of success with their spectacle, becoming them into huge enemies . Atmospheric and dark cinematography by Kiko De La Rica with a good camera work . Suspenseful musical score by Roque Baños . The motion picture is well directed by De La Iglesia . He's a cool director has got much success as ¨Accion Mutante¨, ¨Crimen Ferpecto¨and ¨Oxford murders¨, and winner of several Goyas (Spanish Oscars), however his movies have not yet reached box office in USA, but he has strong followers . Nonsense, ridicule , laughters , absurdity , terror , disturbing scenes .. and many other issues ; you can find everything in this movie . The movie is a lot of fun, especially for those who know the historical period . This is without a doubt a thrilling and thought-provoking movie to be enjoyed for dark humor buffs and Alex De Iglesia fans.
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Reviewed by Red-Barracuda 7 / 10

A full-on surreal psychotronic black-comedy

In 1937 a circus clown is drafted into battle against fascist forces in Spain. He wears his full clown outfit as he wades through the enemy soldiers hacking at them with a machete. Years later in 1973, his son carries on the family tradition and becomes a clown too – the Sad Clown. In the circus he works at he comes into contact with the sociopath Smiling Clown and his beautiful girlfriend, Natalia, the trapeze artist. Very soon, violent jealousies erupt between the clowns and a maelstrom of insane violence ensues.

It's difficult to say if there is an underlying message in The Last Circus. The Spanish Civil War is a backdrop, as is Franco's Spain but to be perfectly honest, if there is a message, it's lost in the mayhem. But this doesn't matter because the movie works best if you take it at face value. It's a Felliniesque melodrama about violent clowns fighting over a gorgeous girl. The tone of the film alternates radically and without warning between funny and vicious. Sometimes they overlap, like when the Smiling Clown beats the Sad Clown to a pulp with a fairground hammer, in doing so hitting the winning bell; he is dragged away from the battered body of his victim while shouting 'I want my teddy!'. This sort of juxtaposing of extreme violence with silly comedy is something that happens throughout The Last Circus and may very well leave some viewers baffled. But for fans of cult cinema this approach should not be much of a problem I would venture. The Last Circus does seem to show again that when it comes to surrealism, the Spanish sure know how to deliver. From the start this is evident. In the incredibly great opening credit sequence we have military style drums hammering away while we are bombarded with an over the top array of bewildering imagery – from black and white photographs of Civil War Spain, to a still of Raquel Welch in One Million Years B.C. juxtaposed immediately with a gruesome shot from the Italian gore-fest Cannibal Holocaust. It's one of the most arresting credit sequences I can ever remember seeing – thematically it's difficult to say what it means but it terms of visual artistry it's terrific.

Acting personnel all do excellent work in bizarre roles. But special notice needs to be made for Carolina Bang for also being quite ridiculously attractive throughout – it's quite easy to see why she has driven these psychopathic clowns to such crazed distraction. Director Álex de la Iglesia has to be given credit too for bringing all this madness to the screen with such style and verve. He has created a film here that in all honesty is very difficult to categorise in terms of genre – there's a little bit of war, quite a lot of comedy, a good deal of melodrama and a host of extreme gruesomeness; but it does not fit into any one genre very well at all, in truth this is one of the things that makes it good. If I had a criticism it would be that the final third loses a little impetus but that's mainly because the opening two thirds is so wild and strong. The Last Circus comes highly recommended for fans of psychotronic cinema.

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