The Last Kingdom: Seven Kings Must Die

2023

Action / Drama / History

120
Rotten Tomatoes Critics - Certified Fresh 82% · 17 reviews
Rotten Tomatoes Audience - Upright 71% · 500 ratings
IMDb Rating 6.9/10 10 38458 38.5K

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Plot summary

In the wake of King Edward's death, Uhtred of Bebbanburg and his comrades adventure across a fractured kingdom in the hopes of uniting England at last.


Uploaded by: FREEMAN
June 03, 2024 at 02:49 PM

Top cast

Elaine Cassidy as Queen Eadgifu
Pekka Strang as Anlaf
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English 2.0
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1 hr 56 min
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Movie Reviews

Reviewed by Dannyboi94 5 / 10

Extremely disappointing

The Last Kingdom is a great series, a hidden gem that did not receive the love it deserved. It had fantastic characters, a well written story, great action, emotional weight and was perfectly paced. Seven Kings Must Die had none of these.

This movie was not bad by any means, it is still enjoyable, but it was a complete mess. Everything happens way too quickly; it jumps between events without giving the viewers time to process what just happened. The editing, the directing and even the sets were off. This movie should have been season 6 of TLK, but instead it was condensed into a 2 hour flick that was a shell of what it could have been. If this had actually been season 6, it would have been the best season of the series, and a very powerful ending. The last scenes of this film hit hard, and if you were a fan of these characters, I dare you not to swell. But that's all this really has going for it. It could have been amazing as a season. The main villain was very smart, and his whole plan was masterfully put, but all of it was for nothing, because it was too rushed.

Several characters who were important, and yet still alive by season 5, were not even mentioned. Where was Uthred's daughter? Were was the Queen Mother? Where was Hild? So many great characters just pushed aside with no explanation.

The battle scenes in this movie were also very poorly done. There was no real thrill like in the original show. Everything was shaky and hard to see. The set pieces were also poor. It's almost like they had the budget of a TV season instead of a movie. This doesn't feel like a film at all.

I know this sounds like I am bashing this movie hard, and while it was very underwhelming, it also has its moments. Like I mentioned above, the last few moments are powerful and hit the emotions. The music is amazing, as it always is. Uthred and his crew are as great as ever. The story, while rushed was interesting.

Overall Seven Kings Must Die was a mess, a disappointing ending to a great series. It doesn't ruin the series, thankfully, but it won't leave it's mark.

5/10.

Reviewed by W011y4m5 6 / 10

Unfulfilling.

I've been a fan of "The Last Kingdom" for years, have happily watched each & every returning series (upon its subsequent release) & for the most part, found it to be a consistently strong show from beginning to end. Thus, upon the announcement of "The Seven Kings Must Die", it was arguably understandable for me to assume (considering the same creators were involved in the making of this production) that stoic reliability of standard would therefore be maintained in the long awaited film sequel... So it gives me no joy to state how frustratingly, I was wrong to make that optimistic presumption - because rather than feel like a natural end to the franchise, it alternatively seems akin to a rushed, watered-down, badly-paced denouement whose under-development's inexplicable when the premise could've so easily been realised (to far greater effect) in an additional 10 episode final 6th season, fleshing out the narrative & bringing the story to a rewarding end in a way which is fitting / appropriate. Hence, rather than finish on a high, the resultant dissatisfaction instilled by its mediocrity does undoubtedly give the impression of a lacklustre low, failing to provide fans with the cinematic climax it sought to build... So the brand goes out with a whimper instead of a bang - (I think we'd all agree?) less than what it rightfully deserves.

Of course, the project invariably had lots of potential brimming beneath the surface but when the method of delivery fails to demonstrably justify the change in format in the space of its own run-time (transferring itself from the small screen to the big, yet frustratingly retaining the muted grandeur of a large budget TV budget - apparently a "movie", still operating within the restrictive boundaries of limitations which theoretically shouldn't be there now it's grown in size & become something else entirely), the necessitated omissions made to ensure this "works" (killing off major characters without even having the courtesy to actually depict their profoundly important deaths - especially doing actors Eliza Butterworth & Timothy Innes so dirty, people who've loyally stayed for years - re-contextualising the conflict we've grown to historically appreciate, starving it of time to permit for the sudden developments to feel organically occurring in nature) are consequently less defensible (artistically), exacerbating the discontentment further.

Take the "Battle of Brunanburh" for instance (not exactly a "spoiler" since it's an actual fact we've known about for centuries & a seismic event in our nation's past, both in scale & later impact, portrayed in the final 30 minutes here, symptomatically typifying the problems I had with this) - blatantly endeavouring to mimic the majesty of Miguel Sapochnik's iconic "Game of Thrones" installment "The Battle of The Bastards" (lensed by DoP Fabian Wagner), however director Ed Bazalgette (a talent I've admired for a while) & cinematographer Luke Bryant jarringly shoot the clash predominantly in a series of quickly-cut close ups, visibly heightening the sense of claustrophobia & tension (with action inescapably close to each participant, heightening the atmosphere) but equally (& inadvertently), for a colossal skirmish of such epic proportions, it also comes across as annoyingly small (due to the sense that we seldom witness - quite literally - the wider implications, far reaching in proportionality & perhaps what a theatrical viewing experience is meant to convey), possessing surprisingly intimate moments... Not enough to give more than is detracted from the sequence, as a whole.

That's not to say I found this to be bad. Not at all. Far from it... I simply believe the concept could've been "more", had the team executed the idea differently & potentially received a higher investment from Netflix. Adequate, despite my complaints - plausibly less than the sum of its parts.

Reviewed by angotti81 6 / 10

Netflix would rather spend money on blood origin than good storytelling

Words cannot express how disappointed I am with this movie that should have been a full season. Everyone involved tried their best, but it is clear that Netflix left them with two hours instead of the necessary 12 to finish the story properly. The relationship between two step brothers eying the throne. How Aethalstan just becomes a tyrant. How his father even died? And the gay advisor? WHY?

It amazes me how deft these corporations are. You have a beloved series and you just let it fall to pieces. I mean look at GOT. They should have fired D&D and gotten new showrunners. In this case it is obvious Netflix just decided on a movie rather than pay the talented creators, actors, writers, and everyoneone else involved, probably to make another horrible anime live action, or the crap witcher prequel.

Should take a note from Vince Gilliam and let it go till he see's it fit to end.

I thank everyone involved for 5 seasons of the best historically based fantasy I've seen.

Destiny is all, and hopefully Netflix will feel that fire one day.

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