This movie might be best appreciated by those who have read the book firsthand and want to see the characters live in the flesh. While this film follows the story very closely, and features good performers (including Bob Fosse and Gene Wilder), it would be difficult for a newcomer to appreciate just how magical this classic fable is if he/she only watches this movie without reading the book. I suppose it would have come out better as an animated feature.
Still, the movie definitely has its merits. The kid playing the Little Prince does very well - why didn't he have a successful career after this? And the music is very beautiful at parts. I don't know why some say it is not up to the standards of Lerner and Leowe. The title theme (such a haunting melody) and "I never met a Rose" - both sung by the Pilot - are beautiful, and the happy song sung by the Little Prince and the Fox as they come close and dance together is charming and jaunty.
7 out of 10.
The Little Prince
1974
Action / Family / Fantasy / Musical / Sci-Fi
The Little Prince
1974
Action / Family / Fantasy / Musical / Sci-Fi
Plot summary
After a pilot is forced to make an emergency landing in the Sahara Desert, he befriends a young prince from outer space; the friendship conjures up stories of journeys through the solar system for the stranded aviator.
Uploaded by: FREEMAN
May 08, 2021 at 03:45 AM
Director
Top cast
Tech specs
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Beautiful title theme
This film is where MICHAEL JACKSON stole all his dance moves from BOB FOSSE
I had seen this Lerner & Loewe adaptation back when it was first released in 1974 (as a pre-adolescent elementary schooler ). I think it was either a Thanksgiving or Christmas release. The only thing from this film I recalled from that initial theatrical viewing was a song-and-dance sequence involving a therianthropic transfiguration of a snake into a man. That dance sequence by a certain man was all I recalled from this film. Years later when learning about the performing arts industry in general (both stage and screen), I realized it was Broadway icon Bob Fosse(!)...The greatest Broadway dancer & choreographer of all time...Surpassing Jack Cole and Jerome Robbins as a choreographer and even surpassing Fred Astaire & Gene Kelly as a dancer. Fosse was the only dancer who went toe-to-toe with and matched Tommy Rall (arguably the greatest modern stage dancer ever): The 'Alley Dance' from the 1955 film My Sister Eileen between Fosse and Rall is the evidence. But the thing that is absolutely mind-blowing about The Little Prince (1974) is how Bob Fosse's dance sequence in the musical number Snake In The Grass virtually defined Michael Jackson's post- 1982 performing career(!) Michael Jackson's signature dance moves for the most successful period of his performing life (1982-1997) were a direct plagiarism of Bob Fosse's Snake In The Grass sequence. This sequence has all of Michael Jackson's hallmark dance moves. And it is all genuine FOSSE(!). That this film contains the blueprint of Michael Jackson's performing career as an adult is why it is invaluable and A MUST SEE(!)
Imagination in search of magic...
A noble attempt to film French writer Antoine de Saint-Exupéry's cult children's book "Le Petit Prince" as a musical; while it doesn't quite work overall, there are splendid scenes. An aviator crash-lands his plane in the Sahara desert, where he is visited by a Cockney child in royal garb who claims to be from a tiny planet in the galaxy. This Little Prince, in search of knowledge, in turn teaches the pilot, who has been robbed of his imagination. Director Stanley Donen is careful not to get too heavy with the pedagogical moments of insight, and he's aided by Christopher Challis' brilliant cinematography and a rich set design, but the song score (by Alan Jay Lerner, who also scripted, and Frederick Loewe) slows the pacing down. The editing is lax as well, allowing sequences such as the Prince's encounter with the Fox, played by Gene Wilder, to go on and on; a montage in a desert oasis (and the journey there by foot) is also interminable. The 'touching' sentiments in the film's final stages are forced, muffling the emotional impact, while the appealing look of the picture is never allowed to give the narrative its wings. This fantasy is grounded, quite literally. ** from ****