I had never read Dumas' novel, or made it through any filmed versions before, so only had the vaguest notion of what the story was about. What a sumptuous production it is. The scenes of the Sun Kings' soirées at his châteaux were splendidly staged and, one can only hope, historically accurate. Could he really have been so rude to his wife in public? It was so outrageous that 'you couldn't make it up'! So it must be true! The main attraction was of course McGoohan and he did not disappoint. I knew things were going to be good when he made no attempt at one of those dodgy accents he is prone to. His clipped, calculating tones were brilliant as the scheming Fouquet. For me, the first half of the production was by far superior. The scene between Richard Chamberlain and McGoohan in the coach was superb and only topped by the sequence of Chamberlain being fitted with his mask as McGoohan regards him like a cat does, its victimised mouse.

I'm probably wrong but I also felt McGoohan must have had a hand in the terrific sequence of Chamberlain thrashing about in his cell, trying to reason why he was being picked on. The anguish of his Kafkaesque imprisonment was superbly executed and that shot of the departing boat through the squares of the barred window…..I expected to see McGoohan's stern face approaching at light speed with a clanging crash at any second!

Lew Grade and Patrick McGoohan – funny how good they were together. It would be nice to think they did meet during the course of the filming process, even if Mr. McGoohan had to get out of bed at 5am to get to Lord Grade's office in time for his 6am appointment!