Allegory for postwar Germany...examination of modernist female sexuality...Marxist critique of human labor under capitalism...yada, yada. I won't bore you with that prattle. Which isn't to say those idea weren't baked into the movie or that you're wrong to see the movie as deeply philosophical. But it certainly isn't necessary to enjoying the movie.
The Marriage of Maria Braun is a great film without needing to be dissected as some dull academic thesis paper. Maria depicted quite spectacularly by Hanna Schygulla, she plays a character who I can't really decide is tragic or the real "villain." This is one of those weird films where every character is so endearing and well written that it's painful to see things go so off the rails for them.
Ending was a little obvious, and I could argue it was too dumb for the rest of the movie, but overall an amazing production.
The Marriage of Maria Braun
1979 [GERMAN]
Action / Drama
Plot summary
Maria marries a young soldier in the last days of World War II, only for him to go missing in the war. She must rely on her beauty and ambition to navigate the difficult post-war years alone.
Uploaded by: FREEMAN
November 30, 2020 at 07:57 PM
Director
Tech specs
720p.BLU 1080p.BLUMovie Reviews
Rainer Fassbinder at his peak
An intelligent but strangely lifeless allegorical work
A woman uses every means possible to survive hardship in post-war West Germany. In doing so she becomes financially successful but loses her soul in the process.
The Marriage of Maria Braun is a film that operates on two different levels. On the one hand in can be seen as a look at one woman's struggle against adversity in the hardships of the post war years. While on another, the film can clearly be read as a critique of the way the new Germany forgot it's awful past and sold it's soul in order to prosper in what would become known as the German Economic Miracle. This latter reading can be determined by reading the main narrative as an allegory in which Maria Braun represents the new Germany. She begins by prostituting herself to the Americans and ends very wealthy but emotionally dead; she forgets her past quickly in order to concentrate on her future.
There is no doubt that Rainer Werner Fassbinder put together a clever allegorical film here. And there is also no doubt that Hanna Schygula is very good in the lead role. But I did have difficulty with empathising with the people in this story, as none of them were particularly likable. Perhaps that was the point of course. But, whatever the case, the film left me cold unfortunately.