The Miracle Woman

1931

Drama / Romance

3
Rotten Tomatoes Critics - Certified Fresh 100% · 7 reviews
Rotten Tomatoes Audience - Upright 78% · 100 ratings
IMDb Rating 7.2/10 10 2611 2.6K

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Plot summary

After an unappreciated minister dies, his daughter loses her faith in God, prompting her to open a phony temple with a con man. Can the love of a blind former aviator restore her faith and happiness?

Director

Top cast

June Lang as Church Choir Singer
Barbara Stanwyck as Florence 'Faith' Fallon
Dennis O'Keefe as Man in Audience
David Manners as John Carson
720p.BLU 1080p.BLU
828.96 MB
1280*960
English 2.0
NR
23.976 fps
1 hr 30 min
Seeds 2
1.5 GB
1440*1080
English 2.0
NR
23.976 fps
1 hr 30 min
Seeds 8

Movie Reviews

Reviewed by vincentlynch-moonoi 7 / 10

Ambitous Frank Capra film starring Barbara Stanwyck in a standout role

Reviewed by AlsExGal 7 / 10

Depression era Capra hits themes that are still relevant

Many of Capra's films point out the nobility of small town America, but here he seems to be doing just the opposite - bringing to light how one small town has just fired their preacher for the unpardonable sin of aging and hired a younger man to replace him without a backwards glance to the consequences to the displaced older man. The old preacher dies dictating his last sermon. We don't see this but we hear it from his daughter Florence played by Barbara Stanwyck. The farewell sermon she gives the parishioners has them walking out - or should I say running - as she calls them murderers, thieves, adulterers, closet drunks - being the preacher's daughter she knows where the bodies are buried and she tells them. A con man is in the congregation for some reason and he says if she wants to get even - and rich - she should run a faith healing con on this same type of small town hypocrite. The world is full of them according to her mentor. The plan works - Florence is as fiery as a fake preacher as she was as a real one and soon the two are rolling in dough with the help of lots of paid fakers. What makes it easy is that the crowd seems to be there for a circus more than a sermon and they do certainly get their money's worth and ask no questions. However, Florence soon has double trouble on her hands. It turns out that her mentor has a darker side than she figured on who keeps her on a very short leash, and then there is the appearance into her life of a man who was blinded in WWI - David Manners as John, a failed songwriter, who claims one of her radio sermons kept him from jumping from his high rise apartment window to his death.What is good about this film? Stanwyck of course. Just a couple of years after sound came into films the lady is fire and ice with the spoken word. Plus even in these early films Capra is visiting the themes of depression, class warfare, suicide, the forgotten man, the power of the individual, and the madness and fickleness of the mob - all which show up in his later efforts.What holds the film back is the rather unexplained relationship between Manners' and Stanwyck's characters. There just doesn't seem to be any reason for them to be together other than that each would be completely alone in the world as far as human comfort goes without the other due to their isolated existences. In spite of that, their relationship and scenes together are believable.Overall, this film does a good job of exploring the fact that for those who lose their faith, it's usually not God that's hard to love but rather the people He created due to their overall indifference towards anything outside of their own little world.
Reviewed by marcslope 7 / 10

One of the best of the early Capras, and that's saying a lot

Clearheaded, consistently entertaining indictment of shear-the-sheep religion, from an unsuccessful Broadway play that starred Alice Brady, this quick-moving melodrama benefits from a terse Robert Riskin screenplay where every line counts, atmospheric Joseph Walker photography, and some very fine acting. Capra, as usual, makes his points quickly, finds humor where there's humor to be found (note the drunken party greeter repeatedly falling out of his chair), and gives even the minor characters distinctive personalities. Best of all is a blazing Barbara Stanwyck, who has a stunning first scene and doesn't let up from there, and the camera loves her. As the blind vet who adores her, David Manners plays blind very well, is un-self-consciously handsome, and minimizes the annoyingly angelic aspects of his character. It's over in an hour and a half, meaning it makes the same points as "Elmer Gantry" in about half the time, right down to the similar finale.
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