The Missile

2024 [FINNISH]

Action / Comedy / Drama

3
IMDb Rating 6.6/10 10 1085 1.1K

missile based on true story 1980s

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Plot summary

Niina, a single mother working for a small-town newspaper, is drawn into an investigation into the fall of a Soviet missile that upends her life and that of her small northern village.

Director

Miia Tervo Photo
Miia Tervo

Top cast

Kari Väänänen Photo
Kari Väänänen as Uutis-Seppo
Sakari Kuosmanen Photo
Sakari Kuosmanen as Reino, Niinan ukki
Oona Airola Photo
Oona Airola as Niina Kuittinen
Seppo Salminen Photo
Seppo Salminen as Toimittaja helikopterissa
2160p.BLU.x265
5.06 GB
3840*2160
Finnish 5.1
NR
fi  dk  sv  no  us  
24 fps
1 hr 53 min
Seeds 5

Movie Reviews

Reviewed by alexanderliljefors 6 / 10

Better then i expected!

First of all the premise sounded really intriguing aswell with a good trailer! Its not very often i watch Finnish films and certainly they arent that common at Netflix! So i felt i had to watch this as soon i could!The big question mark is the editing. I dont know what to think about it. It's extremely quick and sometimes very loose and gets you confused. Sometimes it works very well and give the film a pace which makes you stuck to the story and dont want to take you eyes off from it.It also captures the fight of feminism and journalistic freedom.Aswell with a good script and a really driving character who is played incredibly well with passion, the film is always driven forward! Better then i expected!Soundtrack is really great!I really recommend this one! It's definitely worth watching! A avarage and good film!
Reviewed by brentsbulletinboard 8 / 10

Brilliantly Conceived, Eminently Empowering and Delightfully Quirky

Who would have thought that a reserved, homespun single mother of two married to an abusive imprisoned husband could turn her life around by writing about the dangers of nuclear proliferation? But, if you're Niina Kuittinen (Oona Airola), a young housewife living in rural Lapland, that's precisely what happens when she takes a reporting job with a local newspaper and unwittingly stumbles into a story that almost any intrepid journalist would kill for - the crash of an off-course Soviet missile in the Finnish wilderness in 1984. She eagerly investigates the incident, despite limited experience as a reporter, little knowledge of nuclear weapons and resistance from her publisher (Hannu-Pekka Björkman), who doesn't want to upset the locals with such depressing talk, insisting instead on running only upbeat but innocuous human interest stories. Niina is undeterred, however, throwing herself into a story that garners international attention, regardless of the challenges she faces. In doing so, she grows and matures, finding her footing as a newly empowered woman, as well as finding new love in a handsome, adoring and attentive military man (Pyry Kähkönen). Niina's transformation gives her purpose and helps her to prepare for the impending release of her incarcerated toxic husband (Tommi Eronen), who returns home promising he's changed, despite evidence to the contrary. Niina's new life thus begins, ironically, thanks to her immersion in a devastating subject - but one that ultimately imbues her with a healthier, more realistic outlook on the wider world and the nature of her existence. Writer-director Miia Tervo's fact-based third feature outing is another of those unexpected cinematic gems that effectively mixes genres in coming up with a delightful and enlightening film. Much of the first half presents a colorful portrait of the protagonist's hometown, family and neighbors, featuring ample humor that's decidedly quirky, deliciously deadpan and superbly understated, not unlike the folksy, unassuming laughs prevalent in movies like "Fargo" (1996). But, as Niina's story unfolds, it takes on more serious overtones as viewers witness the character develop into someone who leaves behind the crippling naivete and obsequiousness that have long been holding her back. Admittedly, the film begins to drag a bit in the last act, needlessly stretching out material that's easy to predict without having to belabor it. Nevertheless, "The Missile" is one of those pictures that audience members are likely to come away from feeling as though they've been warmly welcomed into a community of loving family and friends whom they've known for a long time but without the unduly burdensome trappings of schmaltz and sentimentality. And there's a lot to be said for that, even if it takes a little taste of Armageddon to get us there.
Reviewed by jerscott-42238 6 / 10

Historical Drama with good chemistry, but let down in editing

I'm somewhat conflicted in how I feel about this film. On the one hand, I think it would be too dry to have a movie solely about this incident regarding the missile, especially considering that the only settings available would always have to be this frozen Lappi countryside and the various dark indoor areas. Therefore, the (rather predictable) idea to combine it with a family drama was what they went with.The leading lady acted wonderfully and the most powerful part of the movie was its portrayal of domestic abuse, and how adults can almost develop two personalities when talking to children or other adults.However, the development of the missile story itself was very long, and often quite tedious. The choice was to make the military unsympathetic and Lapin Uutiset the underdogs, but again without the kind of "drive" from those main characters, we get bogged down at a snail's pace. I've not seen a great deal of Finnish cinema yet, but Hannu-Pekka Björkman appears to be in every Finnish film ever made. He's great in this, and his simple one-on-ones with Oona Airola are probably the finest moments that we get. The interaction and perplexion as these no-hoper alcoholics mix for the only time in their lives with the top brass at the BBC - that kind of stuff was really enjoyable.But there's just not enough of it. I didn't know that this was a true story (the missile part at least) until a wikipedia search the day after viewing. Like most flawed historical films, it doesn't handhold enough and relies too much on the kind of angst (in this film's case, nuclear angst) that as a viewer I just didn't feel. Therefore, the choice to build the suspense wasn't a correct one, and I think a shorter, sweeter film that cut out the extended "people sitting down in meetings" scenes and "people having inconsequential shower conversations" scenes (although the Väyrynen joke was a good one) would have been a much stronger one. But this is Finnish cinema we're talking about: there HAS to be 30 minutes of the film dedicated to people talking inconsequentially (or not at all) in meeting rooms.However, in spite of all my criticisms, there are a lot of laughs and our two main protagonists have great on-screen chemistry. The metaphorical duality of dangers at home and dangers for the world was written and played out well - it just needed better editing.
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