The Monkey (2025) YIFY - Download Movie TORRENT

There are few writers whose output is as prodigious as Stephen King. With over 65 novels and countless short stories to his name, the master of the macabre has kept Hollywood busy for decades. However, for every frighteningly brilliant 'Misery' or 'The Shining', there's a lacklustre 'Cell' or 'Mercy' lurking in the shadows, reminding us that not all adaptations are created equal.Fresh off his massive hit 'Longlegs,' Osgood Perkins is the latest director to try his hand at a Stephen King tale of terror. 'The Monkey,' based on the short story of the same name, follows Hal Shelburn and his twin brother Bill, whose childhoods are derailed by a sinister toy monkey with a talent for triggering untimely, gruesome deaths. Years later, the monkey resurfaces, and Hal must confront both the literal and emotional baggage he thought he'd left behind.With its elaborate death sequences and darkly comic tone, 'The Monkey' invites easy comparison to the 'Final Destination' films. It's gorily over-the-top, frequently funny, though never quite earning a place in the pantheon of great King adaptations. It's not a disaster by any means, but it is uneven: the scares are sporadic, characterisation slim and the film's sense of humour often undercuts its own tension. The narrative also lacks the psychological depth that made 'Longlegs' so unsettlingly compelling.To his credit, Perkins is clearly reaching for something more than jump scares and blood splatter. There's an admirable attempt to blend horror with dark humour and a melancholic parental dynamic that lends the film a touch of emotional heft. At its best, the film gestures toward themes of grief, inherited trauma and the quiet terror of watching your children face the same darkness you did. Moreover, beneath the evil banging of the monkey's drum lies a meditation- albeit a muddled one- on the one thing we all have in common: the certainty of death.Sadly, these weightier ideas don't always cohere. The tonal shifts are jarring, and the emotional beats often get drowned out in the noise. It's a film that wants to make you laugh, jump and maybe even cry- but doesn't quite commit fully to any of the three. Further, when the monkey isn't onscreen doing what it does best- maiming and murdering- things drag. The stretches in between the carnage feel oddly lifeless, padded with exposition and domestic drama. The whole affair suffers from a dearth of tension, while the emotional stakes never quite land with the force they should.What the film lacks in narrative cohesion, it nearly makes up for in atmosphere. Perkins' direction is confident, and Nico Aguilar's cinematography- handled with a steady, stylish hand- elevates even the narrative's dullest stretches. The lighting is often moody and expressionistic, with deep shadows and rich colour palettes giving proceedings a dreamy, timeless quality. Whether it's a blood-slicked bathroom or a flickering attic filled with childhood relics, every frame feels carefully composed, as if trying to will a better film into existence through sheer visual craft.Additionally, the production design evokes a lived-in, slightly off-kilter world where nostalgia curdles into unease. The monkey itself- aged, grimy, and grotesquely toy-like- is a highlight of the film's tactile creepiness. The special effects and scenes of bloodshed are visceral, with a darkly comic edge; easily the best aspect of the film. Further, Edo Van Breemen's score adds a haunting, discordant undercurrent, though occasionally leaning too hard on the eerie whimsy, blurring the line between unsettling and self-conscious.The sound design, on the other hand, is razor-sharp- each crash on the monkey's drum lands with a wince-inducing jolt. The editing is less consistent: while some sequences are slick and rhythmic, others feel slack, sapping momentum just when things should tighten. It's technically polished, but not always paced to keep the tension simmering.The performances, much like the film itself, are a mixed bag. Theo James delivers a solid turn as the haunted Hal, playing the role with just enough clenched-jaw intensity to sell the trauma without tipping into melodrama. He's compelling when the material allows, though his character is more of a vessel for themes than a fully fleshed-out person. As Hal's identical twin Bill, James turns it up to eleven and is as over-the-top as the material requires.The supporting cast have less to work with, though some still manage to shine. Tatiana Maslany, Elijah Wood and Rohan Campbell make the most of their limited screen time, elevating their thinly drawn characters. Others, however, blur together into a Greek chorus of exposition and emotional hand-wringing.Despite some great scenes of gory grotesquerie, 'The Monkey' ultimately feels like a film caught between instincts- too camp to be truly scary and too scattershot to say anything lasting about grief or death. There are flashes of something sharper, weirder and more affecting buried amidst all the blood and guts, but it never quite takes shape. Although Osgood Perkins remains a filmmaker of intrigue and ambition, and the scenes of carnage are terrific, this King adaptation- like so many before it- is nothing to go ape over.

Movie Reviews

Reviewed by tstyles1 6 / 10

Cool deaths, boring everywhere else

Reviewed by jansrw 6 / 10

Entertaining, but something's missing

I went into The Monkey without high expectations. The trailer made it look like one of those generic horror movies that rely on jump scares and a ridiculous premise. And yeah, the premise is silly: A monkey bangs a drum-someone dies. But instead of a serious horror film, you get an over-the-top horror-comedy that tries so hard to be funny that it eventually gets in its own way.The movie actually starts off well. The first deaths still have some shock value, the characters are entertaining, and there's a bit of that Final Destination appeal where you're curious about what's going to happen next. But very quickly, you realize: there's no real tension. Every death is just a setup for a joke. The first time it's funny, the second time too-but by the eighth time someone randomly explodes and the others just shrug it off with an "eww," it gets old.And that's the problem. The film mocks horror clichés but doesn't offer anything thrilling itself. Scream proved that you can perfectly blend horror and comedy by keeping both elements grounded enough. Here, every serious moment is immediately undercut by a dumb joke. Even themes like the strained father-son relationship or the threat of the monkey carry zero weight because nothing in the movie has real consequences.The second half starts to drag. The jokes repeat, and at some point, the film just feels like a series of TikTok skits where people die in the most absurd ways possible. The ending is the lowest point. I won't spoil it, but it feels like the writers had no idea how to wrap things up-so they went with the cheapest and dumbest option.Is it a bad movie? No. It's entertaining if you just want to turn off your brain and enjoy some absurdity. But it could have been so much more if it had taken itself even a little bit seriously. As it is, it's a fun idea that eventually runs out of steam.

Reviewed by reelreviewsandrecommendations 6 / 10

The Monkey

2025

Horror

The Monkey

2025

Horror

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Movie Reviews

Cool deaths, boring everywhere else

Entertaining, but something's missing

Nothing To Go Ape Over

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