The Name of the Rose

1986

Action / Crime / Drama / History / Mystery / Thriller

82
Rotten Tomatoes Critics - Certified Fresh 72% · 25 reviews
Rotten Tomatoes Audience - Upright 85% · 25K ratings
IMDb Rating 7.7/10 10 124570 124.6K

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Plot summary

14th-century Franciscan monk William of Baskerville and his young novice arrive at a conference to find that several monks have been murdered under mysterious circumstances. To solve the crimes, William must rise up against the Church's authority and fight the shadowy conspiracy of monastery monks using only his intelligence; which is considerable.

Top cast

Pete Lancaster as Bishop of Alborea
Franco Valobra as Jerome of Kaffa
Ron Perlman as Salvatore
Christian Slater as Adso of Melk
720p.BLU 1080p.BLU 2160p.BLU.x265
695.73 MB
1280*720
English 2.0
NR
Subtitles fr  
23.976 fps
2 hr 10 min
Seeds 34
1.95 GB
1920*1080
English 2.0
NR
Subtitles fr  
23.976 fps
2 hr 10 min
Seeds 26
5.91 GB
3840*2076
French 5.1
NR
Subtitles fr  
24 fps
2 hr 11 min
Seeds 24

Movie Reviews

Reviewed by swrvzum 7 / 10

Good movie, though -contrary to the book- it falls into clichés and stereotypes of the era

The Name of the Rose undertakes an incredibly challenging project, aiming to bring to the big screen a massive book by Umberto Eco of immense complexity: Medieval history, theology, disputes among internal factions within the church, the intricate issues of medieval heresies as a social phenomenon, literature and art. All of this encapsulated within an investigation into mysterious murders in an Italian abbey in 1327 AD.Anyone who has read Umberto Eco's book knows how detailed the author is in portraying these complex aspects, which are no longer obvious or easily understandable for a contemporary reader. Umberto Eco certainly has his own opinions on these themes, but still manages to paint a very authentic literary picture of that era.Does the film achieve the same? No.The casting is wonderful, especially Connery, but young Adso, played by Slater, is also well interpreted. The film focuses on the story of the investigation, which is undoubtedly the thread that ties the narrative together.What bothers me most about this film is the depiction of the monastery and that distant medieval era, far from the historical reality described by Eco: The monks are mostly grotesque figures, dirty, crazy, deformed, obscene. The common folk, on the other hand, seem like a bunch of monkeys incapable of speaking, eating garbage thrown out of the monastery. The atmosphere always seems dark and devoid of light, as if to represent that era. This is a cinematic stereotype of the Middle Ages that is far from historical reality.Monasteries were places where manuscripts were safeguarded, transcribed, and translated for centuries, without which we wouldn't have been able to read them today. The period of the High Middle Ages, in which the story takes place, was a time of great innovation for the era: agricultural innovations, the flourishing of universities, advancements in mathematics and civil engineering that allowed the construction of the marvelous Gothic architecture we can still admire today, infrastructure development.We can't look back today and judge that era through contemporary lenses. Many concepts and innovations required time to develop before reaching us. What may seem obvious to us today was not so at the time, so it's necessary to empathize with the mentality of that era to understand its various nuances. Eco tries to do this in his book, but the film does not. The film settles for using clichés and a false stereotype of the Middle Ages.The film manages to maintain tension and an interesting story, mainly because it follows the intriguing investigative plot of the original material. In this sense, it is certainly worth watching. However, I would still recommend to those who enjoyed this film to read the book.
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Reviewed by Noir-5 7 / 10

Scarey Days...

If you like movies to send you back to another historical period, there are few which can do it more effectively than this one. The period is pre-enlightenment when the only books in the land (Italy) are owned by the different denominations of the Catholic faith. Inquisitions are the order of the day and the atmosphere of mistrust and misrepresentation which accompany such a fragile state, is expertly realised.

Enter Sean Connery playing a Sherlock Holmes (`…Elementary my dear Wat-shun…') from the dark/middle ages, replete with a magnifying glass of sorts and a recognisable system of logical deduction. The story is a fine balance of complexity (easy enough to follow, but not too simplistic) with the inclusion of a number of sub-plots to keep it all ticking along nicely. The acting is very good but what makes it stand out is its evocation of another era, which is reproduced with authority. Highly enjoyable.

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