Cute male and female actors in a tangle of loyal and amd nor reliable conduct.pretty male and female faces. But all in all not a very believable construct. A better director would make a twin peaks out of this, but now it's only eye candy. Very pleasing eye candy. Sweet eyes Cathan Hawkes and Megan Tween are doing there's utmost and dirctor Simon Davidson deserves an /oscar. There's never a dull moment in this flick and the 172 charcter limit is doing it a disservice. Amazon is jerking its employees and nobody cares. The just squeezing juice out of yje to let Bezos get in outer space. How sick can you get.

The Odds has an interesting take on high school students living a double life in a secret, dark gambling world. It starts off with the main characters texting bets to underage bookie Paul (Jaren Brandt Bartlett) on their high school wrestling championships.The depths of character development really added to the plot of the death of Barry over the greed that goes hand in hand into the gambling world (such as the Death of the main characters mother, the evidence that slowly creeps up over Barry, and the main characters father's struggle with his career and grieving over his wife). Davidson possesses a keen eye for filmmaking, instinctively knowing how to build tension without a great deal of unnecessary stylization and filler material. This movie touches on a lot of demographics because of these deeper character profiles and the ending of the long spider-web like connections that developed because of this secret gambling society that made perfect sense at the end of the movie. I loved that this was a Canadian movie also!

Desson Orr (Tyler Johnston) and Barry Lipke (Calum Worthy) are gambling in school. Barry gets into a fight with Sam Cartier when the wrestler throws a match. Desson is moving out and his father is selling the house. He gets detention with Colleen Calloway (Julia Maxwell) and brings her to a gambling party hosted by Paul Morrow. Paul threatens Barry who owes him money. The next day, Desson finds Barry in an apparent suicide. Desson tries to find the truth of his death by questioning Benson.

This movie depends heavily on writer/director Simon Davidson. While the writing has some interesting darkness, the directions are unimaginative. This should be a movie of dark intensity but it meanders too much. I like the intentions of a dark gritty movie about teen gambling. It doesn't executes very well.