A young girl and her older brother find a body of a young woman dressed in yellow pyjamas on a Sydney beach. So a retired inspector comes out of retirement to help out the police with their investigation. But he sees that the modern methods of police work aren't getting results and when they make their mind up there's no swaying it. So Inspector Thompson decides to start his own case on the side using his own methods.

'The Girl in the Yellow Pyjamas' is a reasonably modest Italian/Spanish giallo that does construct itself around some striking fixtures and an involving plot. A quick note; during the opening proceedings it's labelled that the actual story is supposedly based on true facts with the names of those involved changed. I'm not what you call an expert of this sub-genre, as I've only come across oh so few, so you can say I'm fairly new to it all. Thinking that man I've got to see more gialli, I notice that this was playing on telly one night and I thought that it isn't one to pass by. Form what I saw; I definitely had an above average time with this giallo piece. It was a bit confusing at first glance, but as you keep on following the story it all comes together rather neatly, without any real hiccups. I'll admit when watching it I was kind of thinking is this actually going to go anywhere or is it just going lose its way. As I thought some sequences were rather pointless to this whole investigation with the mystery playing second fiddle to the central drama position, but the structure of the story, which I've never come across before works out in the bigger picture. Well I have, but definitely not edited in this way. So don't be fooled like I was that most of the sub-plots were not contributing to the case, but they most definitely are and that's proved so, in the last half-an-hour.

The story structure comes into its own by being truly ambitious, which it could make or break the film, but actually I thought it was quite ingenious and refreshing. The plot does more than enough to throw you off course with some surprising knock offs. Like a reviewer had already mentioned there's so much going on in a matter time that it does become crowded with characters coming and going. Too many characters can spoil the brew, but this time it was easily overcome. Throughout the feature we get very moody and drawn out sequences that has of touch of pretentiousness to it, but still it's hard to take your eyes off it.

Director Flavio Mogherini makes the most out of the impeccable location cinematography. The Sydney backdrop is easy on the eyes, but at times I just couldn't stop getting the sneaking impression that they seem to forget they were shooting a film. I say that because excessively it felt like there was more concern in the sights then developing any rhythm and plot. But in the long run I was wrong. Another factor that stabs away at you is the funky soundtrack that makes one real lasting impression. Which at times was a good thing, but also a bad thing. Moments it would be humming with irresistible ooze that breathed such silky elegance, but that wasn't always the case with some high-strung tunes that were tiresomely wretched. The repetitiveness too didn't help either. Mogherini creates some spots of brilliance amongst some odd and arty images that do make headway, like the tasteless scene involving a dead body and glass case and the moment when we discover the dead body. The pacing is stodgy but somehow your just transfixed to what's happening that it doesn't really matter, especially because it does pick up after the hour mark with an cleverly laid out climax that's more than a exceptional ending. The editing was executed to perfection, but the camera work is a bit unstable and lacking flash of style. The performances were that of high quality and Ray Milland as Inspector Thompson was leading the way. Dalila Di Lazzaro as Glenda Blythe was impressive too. What might be a turn off is that it might lack the violence and brutality, but not a sexually charged vibe. Though you might call it very sleazy. Overall, it a professionally done production.

It might have its fair share of flaws, but this unique Giallo has a whole lot more lurking under the surface than what actually meets the eye. It's definitely worth tracking down if you're an enthusiast of the sub-genre.

Based on a true story from 1930, The Pyjama Girl Case is a difficult movie to categorize. It is more often than not considered an Italian Giallo, but is it really a Giallo? Even though I've included it on my Top 50 Giallo list, The Pyjama Girl Case differs so much from the model that I'm not sure this label is accurate. There is no black-gloved, masked killer. There is no string of over-the-top murders. The Pyjama Girl Case lacks the stylish look of most Gialli. And, there is no sense of dread or real tension usually associated with the genre. So, why do I include The Pyjama Girl Case on my list of favorite Gialli – this is not a good answer, but I do it because everyone else does.

If it's not a real Giallo, then what is The Pyjama Girl Case? I would say it best fits in the drama category with touches of a police procedural thrown in for good measure.

The Pyjama Girl Case is the story of a mysterious half-burned body found in an abandoned car on a beach. In addition to being burned, the body also shows signs of severe head trauma and a bullet through the neck. The case is particularly interesting to Inspector Thompson (Ray Milland), a retired detective wanting one last case to investigate. Using outdated techniques and very few clues, he is determined to find the killer before he rides off into the sunset. I disagree with a lot of what I've read and feel Milland is one of the films weak points. His crotchety old man routine is rather predictable. His Inspector Thompson is the cliché for the "non-conforming just because I'm old" type character.

The Pyjama Girl Case's structure can be off-putting to some. In addition to the police investigation, the film also features a concurrent look at the events leading up to the girl's death. It can be confusing at first because of the uncertainty of what's going on, who these people are, and how they relate to each other. But everything works out in the end and all the pieces fall into place. The girl's story is a tragic one. Her life is a series of miserable events (a bad marriage, a miscarriage, a string of unfulfilling relationships, etc.) all leading to her brutal murder. The girl is played by Dallia Di Lazzaro in a very memorable and believable performance. She gives her character a sense of depth not often found in Italian movies of this sort. She is easily the highlight of the movie for me.